Wednesday 2 December


Friday 4 December

Hiya folks!!!! ... Time again for another update....

Bit delayed in getting the update out as I found out on Friday that Saturday was the last day for airmail Christmas post. As I don't normally start thinking about Christmas until a few hours before the event, it's come as a bit of a shock to the system - so it was a bit busy getting a few last minute things for my overseas pals and still be within the deadline. Anyway, the aardvarks have now been despatched, so I can rest easy until the day before the UK deadline!!!

Not one of life's scintillating weeks especially. However, we had the appearance of a decent amount of snow on Saturday morning and it makes a rather fine sight. We could do with some crisp weather and at last, it's arrived - rather that, than the damp muggy stuff we've had for ages this year.

On a seasonal note, Trude is getting into the swing of Christmas at school - it lasts all December, which probably explains why she has had enough by the time the real thing arrives. The only amusing school tale I can recall right now is when one of her pupils wrote about the Nativity "these three wise guys came to visit the baby Jesus"!!! Wise guys, eh?? LOL!!

We always like a big tree at home - well Simon and I do, anyway. In my case, it's a throwback to the days when my dad used to go down to the Smithfield wholesale market in Manchester and get the biggest one he could cart home. The objective was to get one so big that it needed to have top and bottom pruned to get it into the living room. The Christmas tree buying seems to be Trude's department and mostly we've had some decent sized trees apart from one year when a rather miserable specimen appeared - fortunately that wasn't repeated!!! Last year, Trude got a biggie and proceeded to entertain the neighbours taking some considerable time extricating it from her car - pity no-one had a camcorder going!!! Well, if she chooses to go out for these things while I'm asleep, that's her lookout!!! Anyway, she has refused to have anything to do with Christmas tree purchase and delivery this year - however, Simon has a Saturday job at a local greengrocers, so we should be in line for a good un.... watch this space....

The episode commences at Greg's flat. Greg is in the lounge, fast asleep under the covers. Sally is getting the gurls ready for school. They ask her whether he is poorly. "No, he isn't" is her reply. She asks a bleary-eyed Greg whether he is getting up. He tells her he feels awful, but her reply is that it is nothing to how she feels. She ushers the girls out.

It's breakfast time at Ashley's. Zoe comes down, much to Ashley's surprise - he thought she might be having a lie-in. She tells him that she had a lot of reading to do and asks whether she disturbed him coming in the previous night. No is his reply. Apparently it was after 2 a.m. and she had had a busy night at the soup kitchen - it was freezing, she tells him. He tells her that he had a visitor the previous night, but she seems to be unaware of this. Ashley informs her that her pal, Ben, had come along and that he wanted Ashley out of the way - apparently he is a bad influence "and guess what, I'm negative. What's he? An electrician, or what?" (LOL!!) Zoe maintains that Ben is alright. In Ashley's eyes "he flaming isn't. He's an head case and if you go along with these daft ideas, you'll be one and all." When Zoe replies that Ben isn't harming anyone, Ashley disagrees "except you. I don't want you mixing with him anymore." That is like a red rag to a bull for Zoe, as she tells him she is being purified tonight. All she has learned, all she has worked for, is leading up to tonight, she cannot just throw it all away. Ashley insists she must. She asks him why he doesn't treating her like a grown-up, instead of telling her what to do, she knows her own mind. "Ah, but do you?" and "yeah" are the final salvoes from Ashley and Zoe in this heated exchange, as Ashley realises there is no meeting of the minds on this topic. He has to get back to the shop.

At the Kabin, Nick is still trying to patch up matters with Leanne following her discovery of him in the nude, modelling for Miranda. It's only a job, like modelling for clothes, he tells her, but she corrects him, it's modelling your body. He cannot see anything wrong in that, he cannot understand what it is that he has done wrong - that is it, she tells him, she doesn't know either, as he hasn't told her, worse than that, he has actually lied about it, all that rubbish about being a lab technician, when the whole time, he was prancing about in front of a load of strangers in his birthday suit. There's no prancing, he tells her (yeah, right, wood doesn't prance, does it?), it's all dead artistic. "Yeah, that's what they all say" is her riposte. He tells her that she doesn't have a clue, the whole point is having to sit still for hours, it's agony, its not an easy job, he has had aches in muscles he never knew he had - "yeah, I bet you have" is her cynical retort. He is irritated at her making it sound so sleazy, it's all very innocent, if she doesn't believe him, why doesn't she ask Roy and Hayley, because they turned up to the art class. Leanne is horrified at this revelation, "who else knows, the whole flipping street, by the sound of it, everybody, except your own wife?"

At the factory, Hayley is having a natter with Janice. She asks how she is coping. Janice tells her that Les should be better by now, but he isn't. The problem is that the hospital have taken offence to Les, they don't realise how much pain he is in. They have obviously looked at his old track record and decided he is up to his tricks again. At that point, Mike Baldwin comes into view, with Jackie Dobbs in tow - he introduces her as the new recruit, who has started this morning and asks Hayley to show her the ropes. Hayley is chuffed to mint balls at being asked, but Janice has the measure of the job in hand - "rather you than me" she murmurs. Jackie comes over to her mentor and immediately asks what the fiddle is. Hayley is puzzled by this question, so Jackie explains to her that they must have a little fiddle going with the level of wages that Baldwin is paying them here - they must have a way of making their money up. There is nothing like that going on, is Hayley's reply. Jackie attributes Hayley's reticence to trust and assures her that she knows how to keep her mouth shut (no comment!!). Hayley insists there is no scam, to which Jackie replies "it looks like I'm going to be treating you the ropes!" Hayley asks whether Jackie has done this sort of work before - she has "years of experience. Have you ever heard of 'Strangeways' Fashions'" she asks. When Hayley innocently replies that she hasn't, Jackie explains to her that she was in "the nick, with me best mate, Deirdre. Didn't she tell you?" (For the benefit of overseas readers, Strangeways is the name of a local prison in Manchester.) At that point, Deirdre comes into the outer office and Jackie tells her she was just "telling Hazel about Strangeways Fashions - poor Deirdre looks highly embarrassed.

Having got the girls out of the way, Sally is determined to talk things through with Greg, after the previous night's episode. Greg's mind is a blank, as he is totally oblivious of what Sally is talking about. "Last night, for a start" she tells him. He still doesn't have a clue, so she shows him her grazed and swollen arm. "How did you do that?" he asks her. She is astonished at his memory lapse and reminds him that he pushed her. He feebly responds that he might have lost his balance, it was an accident, he tells her, sheepishly. She replies that she knows what happened and she was sober. "Well, that's it then, the booze, sorry, I don't remember. Was I a real pain?" is his explanation. Sally asks him how sorry he actually is, sorry enough to give up the booze. She maintains that he has a drink problem and that she wants him to give up the drink altogether. He apologises for the accident but points out that you have to drink when you are networking (now I know that Windows networking has had its problems but it hasn't turned me to drink, well, it nearly did once, but that was a hardware motherboard incompatibility problem - sorry, anorak mode off again). He promises that he will cut down and the problem will not recur. Sally warns him that it had better not - if it happens again, she will be straight out of the door. Greg asks whether that is all she wants to talk about, but, judging by her response, it clearly isn't, but his hangover is his preoccupation as he goes for something to make it better (erhum... How about a gun? Put us all out of our misery, eh??).

Ashley is in the café, following up the earlier conversation with Zoe. She is telling him that he doesn't own her. Neither does Ben, although he talks as if he does, is Ashley's reply. When he tells her he wants to discuss the matter further when he comes home, she agrees, but points out that it will not make any difference. All he wants is for her to postpone her decision, as he doesn't believe she has thought it through. She confirms that it is what she wants and she is ready for it. They agree to meet up later.

At the café, Gail hands over the post to Roy. He opens it to find a letter from the Estate Agent, telling him that "in view of the fact that we have no response to our very generous offer to buy the lease on your property, we have advised our client to start looking for alternative premises. Unless we hear from you by December 10th, we shall withdraw the offer." Roy is indignant at this letter, they are not holding him to ransom.

Greg and Sally are still trying to sort out their problems. Greg is telling her that he is not trying to make excuses, but he has a lot of responsibilities weighing down on him. It was his idea to start the business in the first place and he was the one who persuaded her to use her mother's money - he has to make it work for her. "We both have" is her reply, "that's no reason for you to go out and get drunk." He has to all the hustling, make all the contacts, he tells her, he is the one under all the stress. She points out that it is hardly easy for her, being stuck in the office, sitting in the office all on her own, day after day - she has to make decisions too and she is the one who gets the blame when she gets things wrong. He concedes that it is difficult for both of them, but she is annoyed as she doesn't have a clue where they are up to, half the time, he doesn't tell her anything. He replies that he doesn't want to worry her and how she gets upset when things go pear-shaped. She indignantly tells him she is his partner, not his secretary, he has to keep her informed, for all she knows they could be going bankrupt. They're not, no chance, he replies. She hopes he is right because she has put a lot into the business, and not just financially. All they need is one good deal, he tells her, to get them back on top, it's only a matter of time. Her reply is that this not going to happen being sat at home and asks whether he is going into the office today. He will be in shortly, after he has had his breakfast.

... and the theme tune comes in, on cue for the end of part 1

After the ads, it's part 2
The second part of the programme commences at the pub. Jackie is holding court in front of the factory girls, reminiscing about the characters in prison, much to Deirdre's continuing embarrassment. She refers to "Welsh Glenda" who "fancied our Deirdre something rotten" - Janice points out that maybe Deirdre doesn't wish to be reminded of prison, but Jackie cannot see anything wrong with this, "it's a laugh, isn't it, Hazel?" Janice corrects her, but Jackie continues regardless, continuing to refer to Hayley as Hazel. One of the girls asks her what she was in prison for, to be told it was GBH. She explains that some "soft cow was messing around with her fella", so he ended up putting her in hospital for 10 days and on the sick for a month - as to her fella, he did GBH to him, as well, although it "didn't come up in court, that was just between me and him." At that stage, Roy pops his head round the corner and asks to have a word with Hayley. Hayley is relieved to see Roy and explains that Jackie is a friend of Deirdre's, but that Deirdre doesn't want to have anything to do with her, how she has to look after her and how Jackie has been in prison for GBH on a woman. Hayley is afraid of what will happen when Jackie finds out about her. Roy wonders whether Jackie's spell in prison will make her "more, you know, broad-minded" (some hope, Roy). Roy then shows her the letter he has received from the Estate Agents.

Round the corner in the pub, Greg is calling someone on his mobile phone, to check on the progress of a potential order. No news there and we see him looking crestfallen.

Hayley has read the letter Roy has received and she agrees that he shouldn't stand for it. He agrees he won't - "you know what happened when they tried to put the rent up on Leeds market? Mr Marks wouldn't stand for it and neither would Mr Spencer. This might be just the push I needed to make a fresh start." When Hayley asks what is stopping him, he replies "nothing, except Gail - Stick-in-the-mud - Platt."

Greg's phone rings and when he answers it, it's Sally on the other end. Despite the fact that he is still in the pub, he tells her that he is in a meeting, something cropped up. Mike Baldwin has seen Greg and comes over to have a smirk at Greg's expense. He asks Greg how life is in the fast lane. Greg's reply is that there is a lot happening. "Really?" retorts Mike. He proceeds to rub the salt in the wound by telling him that he had heard he was struggling, and that he is history. He loudly announces to the audience of the factory girls nearby, that if Greg were a machinist, he could offer him a job, "I'm just telling this ex-employee, we've never been so busy." The hurt look on Greg's face shows that Mike has scored a bulls-eye.

At the hospital, Les is proving to be a difficult patient, as Martin is finding out. Les tells Martin that he is ten minutes late - he is supposed to have pain killers every 4 hours, not 4 hours and ten minutes, he tells him, no wonder they are not working. Another patient calls for attention and Martin delegates a junior nurse to attend. Les comments that the other person is probably not in the same amount of pain and wonders whether he is receiving the correct dosage, but Martin confirms that Les is receiving exactly what he has been prescribed. Les points to the patient in the next bed and asks why he is not in pain - because he is on something different, replies Martin. "Exactly, I want what he's getting" says Les, unfortunately, in all seriousness. Martin gives Les his prescribed medicine but Les is not convinced it is doing the trick.

Meanwhile, the other nurse is attending a patient - the man in the adjacent bed, who raised the alarm comments, how his friend felt ill half an hour ago. The nurse checks the man's pulse and realising something is amiss, she urgently calls Martin for attention.

Martin rushes over and, in doing so, is distracted, leaving the medicine trolley unlocked. Les leaps out of bed, helps himself to some tablets from the trolley, swallows them and gets back into bed, without anyone noticing.

Kevin is working on a car in the Garage and Jackie's son, Tyrone, comes along snooping around. When he is challenged by Kevin, he replies that he is just looking around - furthermore, there is nothing in his pockets, as there is nothing worth nicking. When asked, he tells Kevin that he is staying at Deirdre's. He starts discussing the finer points of engines and turbo-diesels and makes out to Kevin that he has a quad bike. Jackie comes over to sees her son with Kevin and butts in to check whether Tyrone is pestering him. When Kevin starts telling her how her son has been discussing his bike, Jackie reveals that he doesn't have a bike at all, in fact, he doesn't even have a pair of roller skates.

In the street, Janice bumps into Sally and tells her that she is sorry things are difficult for her and Greg, right now. She repeats to Sally that Mike Baldwin had been telling Greg, gloating at how they are busy right now at Underworld and how Greg wasn't. Janice lets slip that this was in the pub at lunchtime and, in fact, Greg may still be there. The look on Sally's face is one of realisation that the problem is serious.

Back at home, Nick is still having problems convincing Leanne that all is above board between him and Miranda. She is concerned at the lies he has been telling her about what he has been doing, then she finds out he has been spending his evenings with a middle-aged woman in her house, without his clothes on, of course, she is bound to be suspicious. It would have been different had he told her about it, but he hadn't. Nick tries to explain that he was merely trying to earn some money so he wouldn't have to keep sponging money off Leanne. When she comments that he didn't have to lie about it, his reply is that he didn't because he realises that she wouldn't have let him take the job.

At that point, Ashley wanders in looking for Zoe. Leanne tells him that Ruth had called for her and that Zoe had indicated she would be home late. Ashley is upset and storms out of the house.

At Greg's, Sally ushers the girls into the bedroom, as she hears Greg coming in. She tackles him as to his whereabouts at lunchtime. She asks whether he was in a meeting all day or whether he was at the Rovers. When he admits he popped into the Rovers, she asks whether he was there when she rang him. According to Janice, he was in there all dinner time and all afternoon as well, judging by the smell of him. Greg resents being questioned in this way and tells her he cannot stand being checked up on. She tells him that she phoned him because he said he was coming into the office, she was worried when he hadn't turned up three hours later - for all she knew he had had an accident. She asks what he was doing in the pub anyway and his reply is that he felt rough and needed something to clear his head. He goes to open a bottle and immediately Sally pounces on him, she thought that they had discussed his drinking and that he had promised to cut down. He tells her that he cannot take any more of this nagging. He snaps at her and tells her that her voice is going right through his head. Sally pops her head around the bedroom door and tells the girls to stay in the room. She comes back to tell him that she doesn't want them to hear them squabbling, as they have been through enough already. So has he, is his reply, he complains that she has done nothing but nag at him all day, he asks whether she just cannot shut up for a minute, why doesn't she go and tell her precious girls a bedtime story? She seems to be more bothered by them than about him, he continues, no wonder they whinge all the time, they are just spoilt little brats. He then throws the accusation at her that if she were more bothered about the business, then they would stand a chance. She tells him that the reason the business is going nowhere is because he is all talk, big ideas and nothing else - he is an amateur and he always will be. That is enough for him - he loses his temper and lashes out at her, hitting her in the face. A defining moment has arrived and she tells him that this is the last time he will ever do that to her. He tries to reason with her, but she isn't having any of it. The kids pop their heads around the door again and she goes to join them in the bedroom. Banging on the bedroom door, he yells "is it any wonder I get drunk, your nagging all the time, you and your bloody kids." Inside, Sally is hugging her daughters, crying her eyes out.

Ashley has made his way to the House of Nirab. He finds the front door open and cautiously lets himself in. There doesn't appear to be anyone around, but he hears some music coming from upstairs. Quietly he goes upstairs. There Zoe is undergoing her purification ceremony.

Ben is calling for Zoe to be brought forward. He asks whether she understands the teachings of their founder. When she replies in the affirmative, he asks whether she wishes to become a daughter of Nirab. Again the answer is yes. She wishes to follow his paths for the rest of eternity. Does she wish to be reunited with those who have gone before? Yes, again. "So shall it be" is Ben's command. Zoe is given some robes and changes into them behind a screen.

Ashley pops his head around the door. As the ceremony continues, he sees Zoe embracing Ben and that is too much for him. He rushes forward to try to break up the proceedings. He begs with her to get her coat on and to come with her. He is restrained by some of the other cult members and Ben tells him not to spoil Zoe's big day. Again, Ashley asks Zoe to come with him. Ben tells him that no-one is keeping Zoe against her will. She is free to leave if she likes and if she does, they will not contact her, this is Zoe's decision, not Ashley's nor his. Ashley implores her to come with him - without saying a word, she goes over to Ben and kisses him on his cheek. Upset that Zoe has rejected him in favour of the cult, Ashley storms out of the room.

Back at the hospital, the emergency is over and Martin comes back to attend to Les. It is time to take Les' temperature but Martin is initially oblivious to the fact the Les is sound asleep. This gradually dawns on him after a few seconds of not receiving any response from Les. He suddenly realises that something is seriously wrong and gets the other nurse to call for a doctor urgently.

.....and with that.... it is the cue for music and credits

Episode written by Phil Woods.

All material is, and remains, copyright property of Granada Television.

Well, how was it for me? One of those, "things being brought to a head" episode. We reached the defining moment in the whole sorry Sally/Greg episode where she has had enough, having been the victim once too often of physical abuse from Greg. Not before time. The story still has a while to go as the business ramifications need to be sorted out, but there is no return after tonight. The House of Nirab gets its tentacles into Zoe, who has now made her decision in their favour, against Ashley.

Nick is still struggling to persuade Leanne of the innocence of his relationship with Miranda. Jackie Dobbs and her offspring, Tyrone continue to create hassles for all who come into contact with them. Les' escapade with the drugs backfires on him. I have to say that I am none too impressed with any of those storylines.

What else? Thanks to Roofy for pointing out a continuity error in today's episode. In the previous episode, Zoe tells us she is going to fast for her purification ceremony, but we actually see her innocently scoffing some food during the day. Tsk tsk! I wouldn't have noticed, but then I don't have the skills necessary to join CID (Detective police).

Soooo.... A so-so episode....

Anyway that's it for now.. Until the next time, take care...

Tubby greetings and Tinkyluv from the Tinkster in Glorious Glossop....

Regards, Alan


Sunday 6 December

So, here we are in December, at last. What happened to Autumn ? I have absolutely no recollection whatsoever of any of those fine, autumnal, days where the ground was dry and the leaves were blowing about and the sun shone, albeit weakly, providing a beautiful spectacle of burnt reds and golds and yellows. Instead ? Cold and miserable and above all, unbelievably wet. We have borrowed one of those leaf blower-cum-sucker-cum-shredder things, and it has sat in my toolroom for weeks in the vain hope that any of the six-inch layer of leaves in the garden is actually going to dry out enough to move about. Some hope. Let's all blame El Nino - it seems to cop for most things.

Sorry if this isn't particularly cheery this week, I've been a bit under the weather with the first of the season's viral whatsits. Friday was a day off work anyway, and I was supposed to be spending the entire weekend with my father getting stuck into decorating the kitchen. Well, that was the plan. The reality was that I flaked out on Friday afternoon, spent the whole of Saturday moving very slowly indeed from bed to sofa to bed again, and only on Sunday did some energy reappear. For about 3 hours. So I sat down to watch tonight's episode of Corrie in a rather drained mood, and at the end of it I felt even worse. The show has rather lost its way at the moment. It was a struggle to stay awake afterwards, but I'm glad I did so, because there's a truly marvellous series on later on Sunday night, by the name of "Cold Feet". It's easily one of the best things on the box at the moment.

I've been putting off writing this update for a couple of days as a result - I keep looking at my notes and no inspiration jumps out at me. Anyway, it's nose to the grindstone time. Sit back, buckle up, and read on...

[Oh, one last thing. If this inspires you to unsubscribe from the corriedays mailing list, please *please* don't reply to me - I don't maintain the list. And especially, don't quote the entire update back at me in the process !!]

On a seasonal note, the Cadbury's chocolate characters are accompanied by gently falling snow this week. Which was quite cute really, because up here in the Weatherfield region, we had our first real snowfall on Sunday night.

Act 1
We open in Animal Hospital, where the Street's resident Rotweiler, RLes, is none too well. We glean this from his gathered family outside the ward, patiently [or in Janice's case, very impatiently] waiting for news from anyone. Toyah and Leanne try to put a cheerful face on things, but Janice is very worried at his sudden turn for the worse. Like many folks, the word "stable" just seems to sound like hospital talk for "we've nothing to tell you that you'd understand or believe".

Returning to the Street, we see the sun is barely up, as Sally and the gurls quietly close the door to Greg's flat. Rosie thinks they are off to Kevin's house, but Sally points them in the direction of the cafe instead. They'll get some tea and toast for their breakfast in there, with Gail.

The floodgates open into Les' ward, and the Battersbys swarm in. They are intercepted by a nurse who advises them that he has only just come round, and that they should take it easy with him and not stay too long. It's clear that Les is only just conscious and can barely respond to Janice and their daughters as they talk to him. [Hey, at least we're safe from Les trying to show any tender emotions...] When the nurse says it's time to go, Janice turns on her and announces she's not leaving until she's had some satisfactory answers. The nurse tells her that the investigation is still on-going.

Roy delivers two cooked breakfasts to a couple of early customers, as Sally arrives with the gurls. She is disappointed to hear that it is Gail's day off, and decides they won't stay after all. Roy subconsciously fingers his left cheek as he asks Sally if everything "is alright ?", noticing the red marks that Greg's hand has left. Sally rushes off in a flurry of excuses.

Time for a visit to the aforementioned Gail's house, where we find Gail bemoaning the fact that she seems to be the only one in the house who is at all interested in going out to buy a Christmas tree that day. We've not seen or heard much from the two kids recently, so it made a pleasant change for Sarah-Louise to be given a brief line today. She announced, in a voice dripping with couldn't-care-less-ness, that she was interested in a tree. [She's reached that magic age, where all talk is conducted while staring at the floor, preferably in a monotone. Emotion is carefully quashed, unless it is being employed to complain about the iniquity of the situation, vis-a-vis the speaker. It can only be a matter of time before Sarah-Lou is banished upstairs forever, condemned to a life of "playing her taaaaaapes".] Where were we ? Oh yes, Martin is mentally elsewhere, worried about Les. He phones the hospital to hear the good news, that Les is recovering, and the bad news, that he is recovering from an overdose.

More angst over at Ashley's house, where he is telling Nick how he followed Zoe to the Foundation house the night before, and had witnessed much of the purification ceremony. Zoe comes in the back door, unnoticed, and overhears the conversation. She interrupts, and Ashley angrily accuses her of snogging that Ben one. She tells him it wasn't like that, and that Ashley simply doesn't understand how important this is to her, and is misreading things. She drops her next bombshell - she will leaving that night to spend a few days in a retreat.

The wandering Websters arrive at Rita's flat. The gurls are sat down in front of the telly, while Rita makes them some breakfast, all the while telling Sally that the failure of her relationship with Greg was pretty much what she had predicted all along. She continues in a cynical, told-you-so vein, until she notices the marks on Sally's face, and is taken aback.

Ashley gets no information from Zoe about how he can get in touch with her - "it's a retreat, Ashley, you're not supposed to let everyone know where it is !". He begs her not to go, but she is adamant. Nirab is visiting the UK, and as the latest convert, she should be there to greet him. [Poor Ashley, and poor Steven Arnold. He seems to be permanently playing worried and concerned, and although he's really convincing, I can't remember the last time the poor lad got to smile !]

More cheeriness [not] over at the corner shop, where Maud greets her first customer of the day, the gruesome Greg. He looks as attractive as ever as he asks for some aspirin. Go on Maud, give him 5 bottles...

Janice makes Les comfy in his bed. [You've got dirty minds, you know that ?!] He tells her she's a champion pillow-plumper. [Oh, just stop it ! I'm only saying it like it is...] Les is feeling quite a bit better, but still not wonderful. Janice accosts the nurse again, to be told that a manager will be down to see her soon. Janice swears she's not leaving until she's had some answers from the staff. Les looks a little uncomfortable when he hears this.

Sally brings some breakfast through to Rita's living room, for the girls. The poor things have fallen asleep in front of the telly, though. She sits down and tells Rita that Greg had never shown any real affection to them, but he'd often suggested they should go and live with Kevin. Rita figures this should have shown Sally what kind of a man he was, but that perhaps it'd be a good idea for them to go to Kevin's for a few days, to give Sally a little time to herself. She can stay there in Rita's flat.

Gail and her two kids are decorating their tree while Martin is still contemplative. Gail can't believe that he's worried for his own sake, surely he was the one who found Les unconscious and saved him anyway. The phone rings - it's the hospital management. They want Martin to come in that evening and tell them "his version of events".

Intermission
Buy early for Christmas !

Act 2
Ashley, still searching for moral support in his crusade against the supporters of Nirab, is talking to Maud in the corner shop. The door opens and in comes Greg, again. The aspirins have lined his stomach, and it's time for a bottle of whisky. "No, make that two !", he says. Maud gives him a sour look as he heads off to drown his sorrows.

Sally and the gurls, who by now look like a small nomadic tribe, have arrived at Kevin's house. Rosie asks if Mummy and Daddy are still friends. Aaah, the innocence of youth. Sally goes through to the kitchen to talk to Kevin. She tells him that it's all over with Greg, and that she needs Kevin to look after the girls for a few days. He looks vaguely insulted that she should even have to ask - of course he'll take his own kids in for as long as she needs. Like everyone else Sally has spoken to, it's not long before he notices the marks on her cheek, and demands to know if Greg was responsible. Sally unconvincingly denies it, and says she has to be getting away before Kevin has time to make an issue of it.

[Brace yourselves - six-pack alert...] Time for a trip to the college now, where Nick's art teacher is giving some of the students some advice before break-time. As they disperse, Leanne appears down a staircase, where it appears she has been watching proceedings for some time. She approaches Miranda, the art teacher, and tells her she would like to join up as a female model ! [Down, Plowman, down !]

Martin is being interviewed by the senior nurse manager. He explains what had happened on the ward, when he'd instructed the other nurse to attend to another patient while he gave Les his painkillers. This wasn't the correct procedure, where two nurses should have witnessed patients receiving their medication. Martin protests that quite often they have to do the rounds on their own, out of necessity, but his boss appears to be more concerned about covering the hospital than in defending Martin. He says he can only see 3 ways that Les took an overdose - either Martin made a mistake, the other nurse made a mistake, or Les got hold of the extra tablets himself.

Ben has arrived to take Zoe away to the retreat. Ashley is trying desperately to persuade her not to go - he offers to take her away for a weekend himself, if it's the break she needs. Ben tells Ashley not to be so suspicious about the Foundation, and they leave. Ashley looks tormented by his inability to get through to Zoe.

Leanne is walking around the art class, examining many of the sketches, while Nick looks embarrassed by her interference. She tells Miranda that she'd come down to check there was nothing mucky going on. Miranda shows her more sketches and asks her if they look at all tacky. Leanne says not. But then, they're not *him*, are they ? But yes, they are, Leanne. Deflating, Leanne admits that some of them are quite good, and points to one in particular. Her humiliation is complete when she learns that this is one of the teacher's own works, which is then presented to her as a gift, signed and dated as an original.

The vino is flowing at Rita's, where she and Sally are having a drink. Rita tells Sally she is glad she is thinking straight, for once. Anyway, she still has her Mum's inheritance to help set her up. Sally's face gives the game away - most of it has gone on the business. "Oh, Sally !", says Rita.

Back to Weatherfield General for one final visit tonight, where Martin has realised that he left the medicine trolley unlocked during the emergency in the ward. That's obviously how Les got the extra tablets. But his relief is short-lived when his manager tells him that he should contact his union representative immediately, because the hospital have no choice but to suspend him from duty, pending the outcome of the investigation.

This episode was written by Maureen Chadwick.

It wasn't very cheery, was it ? Unremitting gloom from start to finish, I thought. Sally is hope^H^Hmeless, Martin's in trouble, Ashley is depressed, Zoe is nearly lost to the cause, Greg is drinking. Unseen, Deirdre is still putting up with Jackie and her son, Natalie is still in denial over Tony's involvement in Des' death, and Roy is in turmoil over the future of the cafe.

It's grim oop North, ain't it ?

Overall rating (out of 5 stars): **

I hope to be back on a more timely schedule next week, although it's going to be a bit of a rush as Mrs L is out of the country for the weekend, having a grand jolly at her employer's expense, while I am on child-minding duty. The kids are usually no trouble, but I do find being a taxi and meals service a bit wearing after a while !

See you next week, and take care, John Laird


Monday 7 December

Yup, once again it's Update time but it really will be an ultra-brief, slapdash effort this week. I'm quite bogged under with stuff to do at the present moment (well, 'tis the Season to be busy, et al) and, frankly, this episode doesn't even warrant more than a paragraph at best. I felt like I was watching some hideously overblown American Soap in which every storyline was about as far removed from reality as Dr Timothy Leary. Drugs, murder, beatings, abuse, medical malpractice, strange religious cults... *yawn* While I understand that times are indeed tougher than ever for the production team right now what with half the cast leaving etc, and I acknowledge that Corrie *has* been making a steady rise in the last couple of weeks with some excellent scenes, but tonight's Monday show was just atrociously pitiful. (Apologies if it seems I'm saying this every week atm! I'm not, honest!)

Scene one starts as badly as the episode means to go on. The set looks gloomy and you'd have more chance of finding a smile on death row. A bruised Sally has come to pick the gurrls up from Kevin's house in order to take them to school. He wonders aloud about what she's going to do in the future, whether or not she's going back to Greg and then continues to press her for details of her bruise. She refuses to admit that she was beaten and then Kevin, tactful as ever, tells her he feels sorry for Blandford as they're "both in the same boat... Sally Webster's rejects"! Then he tells her that if he hears that Greg has so much as laid a finger on the gurrls, he'll "kill him"... (Somewhere along the space/time continuum, someone appears to be actually moving Weatherfield *closer* to Albert Square at a rapid rate...)

Over in the Hospital (always a great place for a laugh... or not) Janice is visiting Les and looking very concerned about his condition. He tells her that someone is coming down to the ward to question him later that day to find out "what really happened" regarding his recent overdose. He also swears up and down that Nurse Platt was "negligent" and, needless to say, Janice, visibly softened by the shock of the whole string of events, believes every word.

Conviniently, we cut to the Platt household next where a tense Martin confides his worries to Gail about his suspension and berates himself for leaving the drugs trolley unlocked. Obviously, she is supportive (well, to the extent of sighing "Oooh, Martin" over and over) but he seems utterly gutted, convinced that he'll lose his job when Les starts inevitably spouting lies about the whole affair.

Fred and Maud, meanwhile, swap an amusing bit of banter in the Cornershop about Zoe and the Nirab Retreat Party. He wonders what a "retreat" is all about and when Maud explains it's where "they've got nowt better to do with their time so they sit around thinking about why we're here and where we're going next", he states, confusedly, "I do that meself... Mostly in the company of a bottle of Scotch, I don't have to go up a mountain to do it"! Natalie approaches the counter with a basket of groceries and Fred offers her some complimentary steak from his Butchers' Shop to help her keep her protein up, assuring that she "won't get over her loss with lentils and brocolli"! She politely (and wisely) declines Fred's free steak.

"HELLO ALEC!" proclaim Rita and Sally in unison, "Cheers!"-style, as the Rovers' Landlord enters The Big Red's Flat. They're both glad he's here because Sally needs some "business advice" or more specifically she wants to know how to terminate the partnership between her and Blandford Enterprises with a minimal amount of financial loss. His suggestion is that she "moves quicker than he does", get all the standing orders stopped asap and take back all the stock from the office since it, rightfully, belongs to her as long as she can get it and sell it before the Bland One does. (Is it good advice? Is it legal? Do I care?)

Back at the Hospital, the Senior Nursing Manager has come to question Les about the overdose. He asks Les to tell him "in his own words" exactly what happened and of course, the Beligerent Battersby lies through his teeth and claims that he just naively took the pills that Martin gave him, had no idea that the dosage was too high and then even so much as goes on to suggest quite adamantly that he thinks Platty was trying to *kill him* because of the 'disputes' about the Platt son marrying the Battersby daughter... Gawd.

Kevin meanwhile is talking to Martin in the Rovers, confessing to be secretly very happy that Sally's relationship with Greg has fell to pieces and that he's got the kids back... Across the bar, Fred, Audrey and Maxine are ribbing Alec about the physical side of his relationship with Rita and, as part of his protestation that there is no hanky-panky going on, he tells them that Sally Webster is staying there right now... Quick cut back to the other side of the bar, where Janice lays briefly into Martin about the state of her husband, expressing her desire that a "proper investigation" be conducted. *yawn*

Colin Barnes, he of the undefinable (and rather irritating) accent, knocks on Natalie's door, claiming he has some "unfinished business". She reluctantly lets him inside. Cue commercial break.

END OF PART ONE
Nothing new from the ads I'm afraid. Lots of Yuletide offers, mind you. Frozen prawns at 2 for the price of 1 in Tesco (wouldn't Spider Nugent be pleased to hear that, eh? ;)), a diabolical couple of cash-cow-milking Greatest Hits albums from 'artists' who wouldn't even know how to so much as spell "Great" without the help of their marketing plebs, extra-value whipped cream for your Christmas trifles, that bloody Boots advert again with the Miranda Peters lookalike and finally cheap telly rentals at Curry's Electrical Stores. Then it's back to the 'fun'...

PART TWO
Colin is wittering blandly (not to mention with some of the most pathetic dialogue delivery this side of Adam Rickitt) about how he thought everyone at Des' funeral knew "the truth" about his death and the drug connection. This was why he threw a fit and got so angry. He goes on to plead with Natalie to go to the police, for Des' sake, and tell the truth about Tony's drug dealing and all the rest of that dreary crud that I thought we'd got rid of weeks ago. She is adamant that she *IS* telling the truth (but we know better...) and refuses to budge on it.

Somewhere on the streets of Weatherfield, Greg tries to withdraw money from a hole-in-the-wall using Sally's cashcard, but to no avail. The machine chews it up whole but unfortunately spares *him*... Meanwhile Sally and The Big Red One shift boxes of fabric stock out of his office.

Oh, and we're back at Natalie's... Oh, and it's still the same conversation I described a couple of sentences ago. Oh, I'm asleep. Colin storms out and threatens to tell the police *himself* since she won't do it.

Les, meanwhile, rambles away uninterestingly from his hospital bed to Janice about the visit from the Senior Nursing Manager and about how Martin "tried to kill him" (In fact, in all the scenes that he's been in this episode, Les has said very little except for the same line recycled again and again) before enthusing that he's going to get some major compensation for this and make sure the hospital pays.

In the poxy offices of Blandford Enterprises, Greg returns to find all his stock has vanished. Sally, meanwhile, arranges over the 'phone, from within Rita's flat, for the rental companies to pick up all Greg's computer equipment too before suggesting that she and Big Red go over to the old flat and pick up the rest of the stock he's keeping in there to boot.

The police show up at Natalie's and tell them that they've been visited by Colin who told his side of the story. Natalie tells them that it's all a load of rubbish, that Colin's a nutcase and, when they ask to speak to Tony, she claims she has no idea where in London he's presently living.

Back at the Big Red Flat, about a dozen boxes of fabric have been shifted from Greg's flat (eh?!?! Where was he storing these exactly!?!) and Sally is relieved that she's slowly but surely getting revenge on him. Rita quickly nips across the road to lock up the Kabin...

Fred, who is the sole shining light in this episode, is lurking around the shop chatting to Maud as he wants to take Ashley (whom he refers to as "Weary Willy"!!! The only decent line in the whole show!) for a drink to cheer him up. Greg enters, highly irritated, and demands that Fred changes the locks on his flat to keep Sally out. A conviniently nearby Maxine starts gloating about the failure of the Bland One's latest venture and, mid-gloat, accidentally lets it slip that the Silly One is staying at Rita Sullivan's. Greg grins evilly in a B-Movie Villain-esque way.

In The House Of Elliot, Ashley bemoans life in general, wailing about how upset he is that Zoe has gone on this retreat with the Nutters of Nirab. Leanne reckons he should kick her out the house for good but Ashley, who is truly devastated, wants things to just go back to how they were, Pre- Foundation. Lee gets sick of this mopery within a minute or so and says she's going to visit her dad in hospital. Nick declines (as he wouldn't want to be seen to "taking sides" against Martin) and gets an earful of abuse for his trouble.

In a ridiculously dumb scene, the doorbell rings at Rita's and Sally, naturally assuming it's Big Red herself, lets the door open. Oh no, it's Gruesome Greg and he's looking to slap her silly! Luckily, Rita shows up just as Blandford finishes his B-Movie threats with "You're an evil little bitch!" and she throws him out of the flat. He claims that they'll all finish their "little chat" some other time and leaves with all the precense of a deeply contrived horror film bad-guy. Sad. Credits roll, Praise Nirab!

As you can tell by the tone of this Update (which I won't lower myself to again), I was horrified by the dire state of the episode. For me, the reason why I watch Corrie and don't tend to bother with any of the other soaps is because it's always has a certain quaint side to it, an endearing nature and the ability to warm the cockles of the heart et al. Tonight's show was as quaint as Piccadilly Circus, as endearing as Tony Blair and about as warm as a cryogenic chamber. As I said at the start, it played like an American soap, all over-the-top, unsympathetic characters and absurdly implausible plot twists.

But I'm not going to dwell on it. I'll just hope for the best in coming episodes and leave on a good note, with a friendly reminder that this coming weekend is the date of the Christmas Mini-Ping in Manchester, which of course is the Yuletide little get-together of Corrie net-fans. If you're interested in coming (or just interested in seeing a particularly well-designed website with lots of piccies and info about Manchester on it!) take a look at http://www.coronation-street.freeserve.co.uk/xmas98/ where you'll find all the details about where, when, who and what it's all about. :)

Til next time, take care!

The Rattler

This Update was sponsored by Scott 4 (what I was listening to) and Stella Artois (what I would've been drinking if I hadn't been too busy gargling vitriol about the state of the show! ;))


Wednesday 9 December

It's that time again... And as splendid a time to stay indoors and do the update as it's been raining pretty solidly here for two days, it's December with a vengeance, Christmas is almost upon us and I really ought to stir myself to do something about it. I don't know about you - I hate the run-up the Christmas with the crowds and the tacky music in all the shops. But actually I do like the day itself, very much. Everything is suddenly so quiet, and very peaceful. Anyway, enough of this because I have another update to do before the big day, so I'm being premature.

Oh, I just thought I'd remark that the Street got an honourable mention in the course of my civic duties - yesterday as I was doing my monthly stint as Chair of Central Area Planning Committee, an officer mentioned that somebody has been stealing the granite setts from Gas Ferry Road, where the major Harbourside development is going on. A giggle and a mutter of "Les Battersby!" from the public gallery.

Enough - it's time to get on with the matter in hand, which is last night's episode. So, with a nod to the romantic chocolate couple who signify sponsorship by (the lady loves) Cadbury's Milk Tray - and I'm still waiting to be serenaded outside *my* front door by a romantic young man - we'll eavesdrop without further hesitation in Rita's flat.

Where we find Sally sitting despondently with her head in her hands amongst the boxes of knickers, as Rita brings in cups of tea. Sally apologises for the clutter, one assumes for the umpteenth time, but Rita declares stoically that she really doesn't mind. "The remains of our business; the remains of all my hopes" broods Sally. Rita is in more pragmatic mood, "Is there anything else we should be nailing down?" she enquires. Sally doesn't think there's anything left, Greg has got all the money he can take. Unable to resist being nosey, Rita tentatively asks how much is left out of her Mam's legacy, and Sally sheepishly confesses that of nearly fifty thousand, not much more than ten remains. She doesn't think Greg got to keep much as most of it went on the office, bills, legal fees (though she hasn't noticed how much he's actually squandered). "All that money, gone!" sighs our Sal, "How could I have been so stupid?". Rita is keen that Sally should put the past behind her now and learn from her mistakes. And meaningfully, "I don't know if Kevin features in any of your plans - or if you feature in any of Kevin's".

Toyah is in the cafe, buying fairy cakes for Les from Gail. It is not a comfortable encounter. "Well, I hope they choke him" says Gail, rather bitterly. Toyah, not surprisingly, is outraged; "That's a rotten thing to say!" she chides. Gail can't resist coming back at Toyah, it certainly wasn't Martin's fault that Les nearly died. But for a moment at least she realises that despite the depth of her bitterness it's wrong to take it out on Toyah. But Toyah just needles her some more; "Look, it's not my fault that Martin made a mistake", which throws Gail back on the defensive. With rising anger, she suggests that the only mistake Martin made was turning his back on Les while he stole dangerous drugs. "Your father's had Martin turned out of a job he loves so that he can con the hospital out of compensation". Toyah has had enough, without another word she sweeps up the cakes and flounces out of the cafe.

Kevin, over at the garage, is inspecting a freshly-washed car. "OK Captain," he says, "you've done a good job there - quid we said warn't it?" The camera cuts to a close-up of young Tyrone Dobbs, on the make, who thought Kevin had said two quid. Now Kevin's may not be the sharpest intellect on the Street but he's wise to this one - perhaps as a kid he pulled the same stunt. "Well, what you thought was wrong - what you said was "clean this car for a quid Mister?" " As Tyrone has done a good job, he might get £1.50 next time, which seems to please the lad, who is immediately distracted, looking over his shoulder, by the sight of Toyah walking up to her front door and letting herself in. "'ey, 'oo's that baird?" he demands. Kevin, smiling indulgently, tells him who it is, but offers some advice: "Better stay away from her though, she's bad news. Whole family's bad news. Fancy her?" Tyrone doesn't. He doesn't bother with women, apparently. But he has worked out already that he's never seen anybody going into number 7, and asks about this. Kevin explains that it belongs to a bloke called Curly, who was wanted by the police so he did a runner. But "he's not wanted any more. Good bloke and all. Only thing we know for sure is, he's gone abroad somewhere, so the police can't tell him he's not wanted". But Tyrone's attention span has been long exhausted. While Kevin has been speaking we've been able to observe the tall black youth swaggering up behind Tyrone - evidently a friend of his, the newcomer clearly makes Tyrone lose all interest in Kevin, and the pair go straight off together arm in arm. Kevin looks on after them, amused. "Shouldn't you two be in school?" he calls.

In the corner shop, Ashley is pouring out his soul to Maude; behind his shoulder we see the Christmas hamper displayed prominently with its pink Day-Glo label. "It's no good," he moans, "I can't help wondering what those people are doing to my Zoe". Maude as ever is ready with sound practical advice. She went on retreat of her own accord. "I know," complains Ashley, "but they got her that mixed-up she doesn't know what's right any more". "Well," opines Maude, if we're talking straight, she never did have much grasp of right or wrong". At this moment, up to the counter looms that other ever-ready source of auntish advice, Audrey, with a carton of milk. "Well, that's true, you must admit that Ashley" she intrudes gloomily. Ashley becomes prickly. It doesn't stop him being worried about her. But Audrey insists "well, that does your heart more credit than your head. Maude's right, she's no good for you". Maude denies vigorously that she said any such thing.

The dispute is curtailed by the click of the shop door; it's Fred. "AUDREY LOVE, MY LITTLE TEAM TAKING GOOD CARE OF YOU?" he beams. Maude offers to sell Audrey a raffle ticket, but Fred grits his teeth as Audrey blithely tells Maude that she's already got hers. Maude looks suspiciously at Audrey, she doesn't remember selling her any tickets, but Audrey attempts to put her right. "No, no, actually it was Fred..." "...WHO URGED YOU TO BUY ONE" intervenes the jolly butcher, pointedly and loudly. "ASHLEY, DID YOU SELL COUNCILLOR MRS ROBERTS A RAFFLE TICKET?", fixing Ashley with a menacing glare. Ashley, tactfully, can't remember. "WELL THAT'S SETTLED THEN, BYE BYE AUDREY, DON'T FORGET YOUR MILK" as the hapless Audrey is hustled out of the door, with Fred hurling Maude a stare that would freeze the Ladybower Reservoir solid and crumble the ice to dust.

On the ward at Weatherfield General, a pony-tailed female nurse (I thought they had to keep their hair neatly up?) is doing her best to ignore Les Battersby while maintaining her professional dignity as Les demonstrates his selfless public-spiritedness - he's more than happy to make himself available as a guinea-pig for experiments with "that Viagra". He switches to a caring father mode as Toyah approaches down the ward. Toyah asks if he's had his dinner yet, and this sets Les off on a whine about how he had it halfway through the morning, and how the NHS system was geared to the needs of staff with customers like him coming last. Toyah's offer of fairy cakes will be a welcome relief and he perks up - he's coming home tomorrow. "Great!" says Toyah, "Are you feeling better?" But Les remembers he's supposed to have been damaged. "Better than I was", he complains pitifully, "But I'll never be what I used to be". Toyah looks concerned. Les reckons they've ruined his best years, probably shortened his life, he'll be wanting a lot of compensation for that. Toyah wants to ask him something, which makes Les come the caring father once again. "Feel free, that's what fathers are for". But she doesn't want advice, she wants a straight answer, did he nick some pills while Martin Platt wasn't looking? This is the cue for an outburst of righteous indignation. "Is that what he's saying? That's criminal libel that is! It's a load of rubbish. It's Martin Platt trying to cover himself. And if that's not Godde's honest truth, may I choke on this fairy cake". Which he bites into with all the relish of a man in the full bloom of life, and doesn't seem to be choking.

The Street is seen reflected in Natalie's glass door as a shifty figure bangs hard on the glass. A glimpse of cropped peroxide hair tells us that it's Tony, back in town. We see the shadowy figure of Natalie hesitate behind the glass before warily opening the door, looking frostily at her son. Cut to a close-up of Tony framed in the doorway looking shiftily aggressive, and rather frightened. They glower meaningfully at each other. (This scene and other related ones in this episode are characterised by long meaningful silences - as if they were scripted by Harold Pinter, I couldn't help thinking). At length Natalie breaks the brooding silence, challenging. "What are you doing here?". Tony is lost for words. "Can I come in?". If you must, says Natalie, grudgingly. Oh, the tension, the pent-up passion! He goes inside as she looks resigned. There's another long silence. "Don't look like that Mum, you look as if you can't stand the sight of me". Well, can you blame her? "What the hell do you expect, Tony?" she fires back, "The red carpet?". Tony protests that he had to see her to see if she was OK, he's been really worried about her. "Oh yeah?" ripostes Natalie, shouting now. "When have you worried about anybody but yourself?" "It's the truth!" he pleads, tearfully. Yes, he knows she blames him for what happened to Des and he wishes it hadn't happened but he can't turn back the clock. Natalie is increasingly despairing. "Des is dead, Tony, because of what you did, because of the drugs you were buying and selling, and because of the company you were keeping and falling out with!". Tony is struggling to fight back the tears now. "I know! I know! I'll never ever forgive myself for that but... I keep hoping you might". Natalie looks at him quizzically, pained. "I just want to be with you... I just want to make things right between us and look after you and help you...". The emotion proves too much for Natalie (there's more than a whiff of incest about this relationship, methinks), she can no longer hold back her own tears and she collapses on Tony's shoulder "Oh Tony!" she cries...

Two pairs of feet swagger down a cobbled and puddled alleyway, they turn out to belong to Tyrone and friend. "This must be number seven" says Tyrone. His friend is wary. "Suppose someone's in?" Cocky Tyrone is far from abashed, he pushes his friend over the wall to unbolt the gate and let him in. "The guy in the garage said it was..." and he's cut off as the friend motions him to crouch quietly behind the wall - we see the top of Toyah's head moving about in next door's yard. Tyrone torments his friend. "If you're scared, go home!" But friend is not going to admit to being scared. Tyrone demonstrates that what he conspicuously lacks in brain power he makes up for with consummate housebreaking skills (the camera carefully omits to show just how he so easily breaks open the window) and orders his friend in through the window. "Why is it always me?" asks the friend. "Because I'm the brains!" insists Tyrone. Friend climbs in through the window as Tyrone stands guard, then opens the back door. "And what do you want?" demands the friend as Tyrone pushes his way in.

I N T E R M I S S I O N

Greg is standing at the bar of the Rovers, chatting to a stranger (who is black as it happens, is this the production team awakening to a more realistic ethnic mix?). Behind them we can see Rita and Sally coming through the door. Sally isn't sure it's a good idea coming into the pub, but Rita brooks no nonsense - "Well I AM!". And at that moment, Sally catches sight of Greg and looks appalled. We cut to Rita and Sally; Sally is turned away, she doesn't know where to put herself. Rita is trying to take her in hand. "Well, you can't start staying out of places just because he might be there. Anyway, you've been using this pub a hell of a sight longer than he has!" With that she sternly instructs - no other words for it - Sally to find a seat while she fetches drinks.

Alec shows avuncular concern for Sally, and asks Rita if she's all right. "Not so good at the moment" is the reply. And when we cut to Sally she really isn't all right, she'd rather be a very long way off and looks like a frightened bird in a cage. Janice is behind her with the Underworld girls as they rise to return to work after their lunch break. She approaches sally, playing the Job's Comforter, triumphantly but with a hint of grudging sympathy. "You and Greg 'ave split up I 'ear. I thought it wouldn't last, I told you didn't I". Yes, agrees Sally ungraciously, without looking at Janice. "Well, yer'll just 'ave ter look after yerself now won't yer! But if yer thinkin' of askin' Baldwin for yer job back yer've no chance!". Rita comes to Sally's rescue, with drinks. Janice addresses her remarks to Rita now, "She's made a right mess of 'er life 'asn't she!" Rita is reproachful. "She came in here for a quiet drink, not aggravation!". But Janice isn't finished. "'ey, ''oos aggravatin' 'er? I'm on 'er side, though there's not a lot of folk round 'ere that are I'll tell yer!" Off goes Janice with the other Underworlders, leaving Rita looking martyred and Sally glum.

But there's worse to come for Sally, she sees Greg approaching and looks very scared indeed but Rita holds her down with a "Just sit tight love" as Greg seats himself opposite her and tries to look menacing, though not very convincingly, he's just smirking emptily. "You think you've got me sewn up don't you?" he threatens. "Running round putting blocks on me. But don't go round thinking you've finished with me yet." Sally has enough left to spit back "That's exactly what I've done!" "You'll find out different - before too long if you stay around here". But this only brings in Rita to Sally's defence: "Of course she's going to stay, Sally's got a lot of friends around here, which is more than you have, so why don't you go back to wherever you came from in the first place?" Greg just sneers, and rises to leave, wordlessly, as Alec hovers behind them. Rita reassures Alec "It's nothing we can't handle".

Natalie and Tony have finished a meal. Natalie is anxious, Tony sullen. "Did you go to London?" asks Natalie. "Yeah, no good" replies Tony. Nothing down there for him, got no contacts. Natalie is alarmed hearing the word "contacts", she suspects he's talking about drug dealing again. Which he probably is. But he protests, swears even, that that's all behind him and all he wants is a decent job, to settle down and get back to a decent way of living. "That includes looking after you, making things right between us. Natalie is weary. "I want to believe you Tony". Tony protests too strongly, "I'm telling you the TRUTH". He's truly sorry, he says, about everything that's happened. But, says Natalie, Des's brother hates him. Tony is piqued and answers sharply, "Why? What have you been telling him?" But she denies telling anything. "Not me, Des!" Colin has been to the police and told them Tony knows more than he's let on. "What the hell's he stirring it for?" he demands. Natalie is getting desperate. "He loved Des, Tony!" But Tony can only see Des as a love rival for his mother. Very Freudian. Colin, it seems, has told the police that Tony knew who the attackers were. And Natalie things Tony did too despite all his denials. And the frightened Tony sucks his thumb, as he starts to crack. "I'll tell you one thing I know for sure - if I shopped 'em, they'd be after me, I'd be next". There's worse for Tony - Natalie reveals that the police, in the shape of Sergeant Reynolds, visited her after Colin had spoken to him, to see if she had any more to tell him. Tony is panicking, but Natalie hasn't told. "Thanks!" he says, pathetically grateful. "Look Mum, you know you're the only person in the world that I can really trust. I just want you to feel that you can depend on me - same way that I depend on you!"

Tyrone's friend is searching Curly's kitchen cupboards as Tyrone himself slouches on Curly's sofa, going through Curly's record collection and tossing them aside with disgust. "He's got some rubbish music - pathetic!" I couldn't see what they were but they looked OK to me - but then I doubt if I'd share Tyrone's musical tastes. The two lads are upset with Curly's thoughtlessness at not leaving them enough to eat and drink - not even any beer, though there are a couple of bottles of wine. The friend thinks wine is a girl's drink though. "Depends on how strong it is" remarks worldly-wise Tyrone. They can always get some fish and chips in one evening and try the wine. Thinking of fish and chips reminds them that they are starving, so Tyrone suggests going back to "our" place to get something to eat. And "'ey, listen say nuffink to no-one, we've got a great place 'ere and from now on it's ours!"

Time has passed at Natalie's, or perhaps it's gone into a loop, as Tony protests once again that there's nothing he can do to turn back the clock. (Just to rub this in the kitchen clock is prominent behind his shoulder). And once again he whines that "I just want to get things right between us - start again. That's why I've come back! If it's what you then I'll clear out of your life and I'll never bother you again. If that's what you want". But Natalie doesn't believe him. "Oh Tony, leave it will you, you know that's not what I want!" OK then, is it all right if he, Tony, takes a bath before he gets chucked out? Who said anything about chucking you out, says Natalie, pandering to Tony's insecurity once more. "Thanks Mum," he says, relieved, "you're brilliant!". And off he goes to have his bath.

Natalie clears away her mug and plate, then catching sight of Tony's jacket seems to have an inspired idea. Cautiously checking that the coast is clear, she feels in one pocket and finds nothing. She feels in the other pocket and pulls out a packet of cigarettes. She takes a second dip into the pocket, and as the camera closes in on the pocket we see the manicured and nail-varnished hand withdraw two plastic packets of white powder. Natalie stares at the packets for several moments, before casting them away from her with an anguished cry of mixed disgust and despair.

Alec is sharing a bottle of wine at Rita's place, it's not clear where Sally has gone but she's found somewhere out of the way. Alec surveys the boxes scattered around the floor and remarks wistfully "So this is what's left of their business - knickers as far as the eye can see!" Rita is feeling mischievous; "I bet you've had dreams like this!" Alec rises beautifully to the bait, indignantly he protests "Ay, now then, coarseness doesn't become you Rita!". What he thinks Sally needs is a garage or lock-up shed - clearly Alec is proprietorial about Rita's territory and resents the intrusion. But Rita will have none of this, she's quiet happy for Sally to leave her stuff there and it's none of Alec's business. "I'll tell you what though, that Greg Kelly's a swine, he conned her, cheated her, robbed her - and he hit her". Gallant Alec is outraged. "WHAT?" he exclaims, "He knocked her about?" Rita regrets passing on this information and implores Alec not to do the same. "She's the talk of the chip shop as it is already without that". Alec won't say a word, but wants to know when Sally is going. Rita though has no intention of kicking her out. It's her flat, not his, after all. Well, suggests Alec, if she wants to escape from the overcrowding she's always welcome to slip through to his side of the connecting door. "Not while Sally's here Alec, it wouldn't be right."

Tyrone and friend are back at Deirdre's, slobbing about amidst the detritus of their predations - plates of biscuits, violated boxes of chocolates, a mess everywhere. Enter Jackie, exuberant, closely followed by Deirdre, who looks about her aghast. "OH NO!" she cries in disbelief "I can't put up with this!" "Wha?" inquires an uncomprehending Jackie. "The mess!" "Oh yeah, it is a bit untidy isn't it!" The boys sit impassive, glued to the television, so Jackie gets frustrated. "Tyrone, what have I told you? If you can't find a tablecloth, put a newspaper down". Wonderful! Meanwhile, Deirdre has discovered the ransacked fridge and declares incredulously "looks like a swarm of locusts has been through it". Her anger rising, she declares "This is too much! I've had enough, I'm going for a drink". Jackie's offer to join her in the drink is brusquely swept aside. "NO! I'd rather go on my own. And when I come back I want this place STRAIGHT. Like it was after I cleared up this morning. And then you and me are going to have a little talk, Jackie, about how much longer you're staying". And with that she storms out. "See what you've done, soft ollies!" she says, slapping the impervious Tyrone about the head. "Get this place cleared up!". "I'm watching this!" whines Tyrone. "Marcus," says Jackie to the friend - so that's what his name is - "do one kidder, 'es goin' to be very busy. And Marcus obligingly leaves, no doubt glad to get away. "That's not fair!" whinges Tyrone, "he made just as much mess as me". "Now listen, Tyrone Sylvester!" admonishes Jackie, "You're gonna get us chucked out of 'ere, with yer cheeky backtalk and yer mess and yer nasty ways - why can't yer be more like me, eh?". And Tyrone, impassive, says nothing.

Natalie is sitting at the table feeling hopeless as Tony comes downstairs, fresh from his bath. He's wearing a different shirt. "Good to be clean again," he says, "Erm, I found this shirt in the wardrobe". Natalie just stares at him for a while. "That's Des's shirt" she says at length. "Yeah, I know that Mum. You don't mind, do you?" But of course she minds. She can't contain her anger, gets up to confront her son. "You're not fit to wear anything of his! Don't you talk to me about feeling clean Tony. You with your dirty drugs for sale". He's not ready for this onslaught. "You told me it was over, you swore to me..." But he can only manage an accusing reply. "You've been going through my jacket, you've no right!". Natalie is screaming now. "Don't you talk to me about rights! What right have you to come in here and lie to me and say you're sorry and you've changed, you disgust me!" The tears are close to the surface. Tony is panicking again. "You've taken my stuff - WHERE IS IT?" he demands. "In a safe place" she tells him, as the doorbell rings. And Tony really does panic at the ring. "Who's that?" he asks, frightened. It's Sergeant Reynolds of course, Natalie phoned him after she found Tony's supplies. But "I haven't told him Tony, and I hope I don't have to. Talk to him. Give him all the help he needs. Tony is edgy as the sergeant and his henchman enter. They go through formal introductions. "Hello again Mr Horrocks," says Reynolds, "I think we need to talk".

Nick is at home attempting to wrap his limited intellect round a tabloid newspaper when Ashley comes downstairs, distraught and apparently in a trance. He is carrying a book. "What's up?" says gormless Nick, as it slowly dawns on him that something is amiss. A long silence, then Ashley indicates the book. "Found this under some of Zoe's clothes", he says despondently. "Her diary, Ashley," says Nick, "She'll go mad if she finds you reading that. But Ashley is of the opinion that Zoe is already mad. Anyway, it's not a diary, but a series of letters to Shannon. Nick can understand why it might help Zoe to write things down, but, in tears, Ashley reads an excerpt aloud. About afterlife, and not being separated for ever. Nick replies that lots of people believe in an afterlife, he's not sure he doesn't himself, and all religions talk about that sort of thing. But Ashley continues to read. "Nirab will keep you safe with me. And Ben will keep me safe with the love of Nirab". What can Zoe mean? Ashley is jealous, threatened, especially at the mention of Ben. "It's these Foundation people. They've got her not knowing which way's up." Nick tries to reassure him with the thought that Zoe is coming home tomorrow. But Ashley doubts that she will come back.

Tony is being given a grilling by Sergeant Reynolds and is close to breaking point. He's still denying everything, but loses his rag under the close questioning. Natalie looks pleadingly at him. He gives a little ground. "I think they were the same". Reynolds senses a kill and moves in. "Mr Colin Barnes tells me you know these men. He's made a statement". Tony is very scared now. "You got that wrong" he insists. This is too much for Natalie, who bursts out "For Godde's sake Tony! Stop lying will yer! They killed Des! They're walking about out there and you know who they are! Tell him, please! You owe it to Des! You owe it to me!" And Tony finally breaks; "You don't know what you're asking, you just don't understand!", he screams. This is all Reynolds needs to take Tony into custody and accompany him to the station down the road. "Oh well, thanks Mum! Thanks for everything", he says as he is led out.

But Natalie has no words, we close with the camera lingering on her forlorn, hopeless and dejected face...

For those who look to the Street for safe reassurance and warm Lancashire humour, there can have been little comfort in this rather intensely bleak and desolate episode, I can only hope for their sake that we get another good wedding before long. But John Stevenson's script stands up very well, balancing some very heavy, and meaty scenes with just enough lightness to relieve without diminishing the seriousness. I thought this was a pretty good one anyway.

The star performance was certainly that of Denise Welch, who was quite stunning. I have mixed feelings about Lee Warburton as Tony, the character is unlikeable, shifty, deceitful, self-deluding, and above all very, very weak. I guess an actor relishes strong roles, but to carry off such a weak character so strongly must require a special talent, I think Lee should be given the benefit of the doubt. He certainly comes across as perfectly odious.

Till the next time,

Rosalind


Friday 11 December

Hiya folks!!!! ... Time again for another update.... Tinky productions apologise for the slightly late arrival of this update, on account of me being just a bit pinged out. Too much booze, too little sleep, same old story, I know!!! In terms of Ping Reports, I won't steal Annie's thunder, I'll delay my report until she has posted hers, suffice to say, a superb weekend was had in the presence of some lovely company.

The Christmas season is in full swing at Trude's place with the build up to the Carol Concerts and Nativity Plays to be held this coming week. Highlight comment has to go to a youngster in the Nursery - the Headteacher had told the kids the nativity story and was testing their understanding of it all. "So children", she says, "whose birthday do we celebrate at Christmas?" This little four year old sticks her hand up and excitedly proclaims "Mine Miss, and I get lots and lots of presents!!" There ain't nothing like the natural innocent humour of youngsters.

The episode commences at Natalie's. Kevin has called round to see how she is, as he had seen the police last night with Tony. She tells him that she was "setting the records straight" and explains "straight from the horse's mouth" how, with obviously mixed feelings, she "shopped Tony to the police last night, me own son...."

At Roy's Rolls, Sally has come in to clear the air with Gail, under the pretext of having a cup of tea. Gail is initially a bit cool with her, so Sally comes clean to tell her that the relationship between her and Greg has finished, she also wants to say that she knows she has been acting like an idiot and if she could turn the clock back, she would. The girls come first now, she says, to Gail's approval. When Gail asks "what about Kevin, does he know about you and Greg?", Sally explains how the girls are with Kevin and how she is stopping with Rita until she sorts herself out. Gail asks Sally about her future plans with Kevin but Sally confesses that she has a lot to think about, she is not quite sure where she is at the moment (Are any of us? What is the meaning of life? what do we mean by the word mean?), all she knows is that the girls have had a rotten time with it. (Well, I always thought baked bean and fish finger overdosing was a crime, but there you go.) Gail wisely points out that Christmas is coming up and that will cheer up the girls. Sally vows that Christmas will be a time for them to remember one way or another (Wot? No chips?), that way it will make them forget what's happened this year. Gail says amen to the return of the Sally she knows.

Natalie is explaining to Kevin that she knows that Tony didn't kill Des, but it was because of him that the thugs were here. She regrets not listening to Des and not throwing out Tony on his ear, but Kevin understands that Natalie couldn't do that to her son (the brain implant IS working, LOL!). Despite that, Natalie still has feelings of guilt in calling for the police. Kevin tries to reassure her that there is a better chance of catching the thugs who killed Des, in any case, Tony was still dealing in drugs, she has nothing for which to blame herself. Natalie is preoccupied by the nightmare of the recent events, she has felt like her head has been going to explode ever since that night, she has been "walking around, feeling guilty, frightened, even, thinking she is responsible for Des' death". Her feelings are clearly causing her much anguish, she put on a tough front for others, but "up here", pointing to her head, she feels she is going to go mad. Now, having shopped her own son to the police, she faces another nightmare - where has Tony gone? what does he think of her? what has she done to him? - she just wanted to protect him. Kevin tells her that she did right and that Tony isn't worth her worrying.

"Hello Maud, how's your bum for love bites this morning?" is Jackie Dobbs' cheery greeting in the corner shop. Maud tells her she'll be fine and dandy once Jackie's bought what she wants. Our chirpy Scouse Slagette retorts that she resents being treated that way just because she's "done a bit of bird", in any case, she bets that the store detective isn't set onto Deirdre when she comes in. Maud firmly points out that what happened to Deirdre was a miscarriage of justice, whereas Jackie is brazenly bragging about her prison spell as if it were "a week at Butlins". The slanging match carries on which Jackie taking the mickey out of Maud accusing her getting the wrong side out of bed, or, as she succinctly puts it, being caught in a speed-check (in her wheelchair). Turning to Ashley, looking long-faced, she comments sarcastically that his face is good for trade.

As Jackie goes to look for her provisions, Maud suggests that Ashley keeps an eye out on her, "bet she could give Paul Daniels a lesson or two in how to make things vanish". (Note for non UK viewers, Paul Daniels made his name as a TV magician.) Ashley couldn't care less, he has more things to worry about than a few tins of baked beans - Zoe is back today, but he doesn't know what to expect, Ben and Ruth have been putting all sorts of crazy ideas into her head.

Maxine pops in full of the joys of spring, well, actually, the hot news that Greg and Sally have split up and that, apparently Greg was knocking Sally about. When Maud points out that she needs to be careful spreading such stories, Maxine's reply is that it's not her, it's what folk are saying (LOL!!!) - in any case, Greg was the perfect gentleman when he was with her!!! "Apart from when he was seeing Sally Webster behind your back" retorts Ashley!! Game, set and match to Ashley Peacock, as he leaves Centre Court.

Jackie has sorted out her purchases, "here we are, here's the money and I suppose you want to check me pockets as well, do you?" "Not this time, thank you", says Maud.

Maxine is fishing for hot gossip on the Greg/Sally story wondering whether Maud heard anything. Maud plays the deaf, wise monkey, in any case, it's nobody's business. Maxine playing the community minded citizen says you just cannot ignore something like that.

Jackie joins in the conversation. "It's a terrible thing when a man hits a woman. Mind you, the odd slap around the chops helped me keep my fella in check! Happy days Maud!" and then makes her exit stage left. What a superbly grotesque character is our Margi.

Maud corrects Maxine's impression, pointing out that there is a difference between turning a blind eye and interfering in personal affairs, "what goes on upstairs in that flat is for Sally to sort out, not for people with a bone to pick to get fat on!" Youch!!

At Roy's Rolls, Toyah comes in, obviously very late, much to Gail's relief. However, Gail's relief is short-lived as Toyah has come in to tell her that she cannot work this lunchtime. Les is coming out of hospital and they are having a "welcome home" party for him. This does not amuse Gail, who opines that the only kind of party he deserves is one with a lynching rope. Toyah refuses to get drawn in and Gail threatens her that if she cannot be here for her job, then her job might not be here waiting for her. She launches into a tirade of how Les is trying to ruin Martin's career and asks Toyah to show some consideration. The exchange ends with Toyah telling her "Your toast's burning", which has Gail diverted to that issue. By the time she turns back, Toyah has left the café.

Natalie has come home. To her surprise, Tony is inside waiting for her. He still has a set of keys, "Did you forget? Like you forgot I was your son last night, when you threw me to the coppers?" he replies angrily.

At the Rovers, RFred is in full boom. "I take it you will be partaking of a festive fowl this year with Rita, will you, Alec? What'll it be, duck, goose or turkey? You'll have to get your order in quick, quality birds wait for no man." Alec, ever the big spender, reckons they won't want to make a fuss, a small chicken will do, as there will be just him and Rita. "A chicken? To celebrate the birth of Our Lord and your first Christmas with that fine lady? A chicken?" is Fred's astonished reply. "Are you familiar with the festive works of Charles Dickens?"

At that point, Greg walks by and Fred turns his attention to him. He wants two months rent from him - the flat was let to him on the basis of sole occupancy and as there has been a family of four residing there, he is due more rent. Greg tells him that he is on his own again, but Fred is not impressed. He is more concerned about that wear and tear on the property during their stay. "Now, if you don't mind, I'll have what I'm owed." Greg tells him not to worry, he'll get his money. "Yes, that I will, lad, by Monday or my keys back. Oh and just a word of warning! It gets awful parky on these cobbles this time of year!!" Seasonal greetings to you too - Alec has overheard the interchange. He smiles at Fred and says the word "Dickens?" the look on Fred's face is a real treat!!! ROTF!!! Magic stuff!!

Natalie and Tony are still having their tête-à-tête. Natalie tells him that she didn't want to go to the police. "Oh, but you did all the same" sneers Tony. When asked whether he told the police the truth, he admits he didn't have a lot of choice. He is concerned what will happen when Carl's friends get to him - he wonders whether she has any idea what they will do to him, before they kill him. She tells him he should have gone to the police a long time ago. He replies that "happily ever after" stories just don't happen in real life. "That's a fairy story, you've got to look after number one", he tells her. When she gets angry with his selfish attitude, "is that all you are interested in, number one?", his cutting reply is "Why not? I got it off you." Youch.

The taxi has brought Les back home from hospital. Leanne and Toyah have been taken by surprise, as he has come home early, and hurriedly unfurl a banner on the doorstep, proclaiming "Welcome home." He is chuffed to mintballs and thanks the girls. The mood of this happy scene changes rapidly as Gail walks by. He doesn't deserve a welcome home, she tells him, she calls him an evil liar. When the girls protest, her answer is "who is going to believe a layabout slob like you, next to Martin?" (Why don't you tell us how you really feel, Gail!! LOL!!) she tells him to quit before he gets laughed out of court. Toyah gets all defensive and Les hams it up for the sympathy vote, saying that he doesn't feel very well.

At Ashley's, the lad is waiting for Zoe to come back from her retreat. He hears a car pulling up and peers through the net curtains. It is Ben and he has Zoe with him. Zoe comes in alone, while Ben waits for her. Meanwhile, Ashley has sat down on the settee, not to make it obvious that he is anxiously awaiting her return. He greets Zoe with affection telling her that he has missed her and that she looks good. He offers her some tea, but it is clear Zoe has something important to tell him. She has been chosen by Nirab to have a baby, she tells him.

... and the theme tune comes in, on cue for the end of part 1 * *******************

After the ads, it's part 2
The second part of the programme commences back at Ashley's. He is trying to take in the significance of Zoe's news. She is telling him that this is a big honour which has been bestowed on her, there are only a few of them in the world, "daughters of Nirab", who have been chosen to have babies before the final day. Ashley wonders with whom she is going to have this baby, recognising that, the way things have been going lately, it won't be with him. She tells him that the whole idea is that these babies are pure, from within the Foundation. "It's sick", is Ashley's diagnosis. There is no meeting of minds here, as Zoe tells him she misses Shannon and wants another baby, Ashley replies that they can have a baby together but Zoe rejects his offer.

At Curly's place there is a mini-party in full flow. Tyrone and his pal, Marcus are whooping it up to Dexys Midnight Runners. They knock over and smash an ornament. Ty is upset, as it could have been "worth a few quid" as they could have flogged it. Ty doesn't want to spoil a good thing, they've got to use the facilities while they can. Marcus has been looking for a corkscrew to open a bottle of wine - he is delighted when he finds one, only to discover that he doesn't know how to use it. But Ty is a lad with a vision - now they have a place of their own, they might want to start entertaining, he tells his chum, "There's a cracker lives next door. She's got an older sister and all." When Marcus asks whether they'd be up for it, "Are you kidding? Like a rat up a drainpipe" is the naively optimistic reply. As Ty opens the bottle, Marcus comes across the house keys. "Let the good times roll" is Ty's jubilant cry, as they get stuck into the wine.

Natalie is still arguing with Tony. She didn't enjoy shopping Tony to the police, but she didn't enjoy watching Des dying either, she tells him, so if he's had his say, he can get out. Well, he only came back to pick up his property, is his reply, referring to his drugs. When she tells him that she flushed them down the toilet, this is too much for Tony who lunges at his mother. "You stupid cow" he yells at her, "you're just as stupid as was and look where it got him." In the scuffle, she slaps his face hard. "You make me sick. I think about the night you were born and it makes me want to heave, thinking what you've turned out to be. You might not have killed Des, but how many other lives have you ruined with that rubbish you've been peddling? And do you know what? It feels like it's my fault because I'm your mother." By this stage is sobbing her heart out in despair at how her son has turned out. Tony is desperate - selling the drugs is the only way of staying ahead and coming up with the cash to pay off Carl's crew. Natalie has the solution and hands him a cheque. She asks whether it is enough. Tony is speechless. She tells him her house is sold, Des' estate will be through soon. That money is not for drugs, and not to pay some loan shark off. It's to get out of the country, to get away as far as he needs to go. "To hell you mean? queries Tony. "I don't care. As long as I never have to set eyes on you again. Call it your inheritance, Tony. Because from now on, I'm dead as far as you are concerned. Get out! Now!" The dramatic scene ends in total silence as Tony departs, without saying a word.

Ashley is upset beyond belief at Zoe's news. Ben is obviously going to be the father, he realises. Zoe tells him that it is none of his business. "None of my business? You're my girlfriend, Zoe" he pleads, "well at least you were until this lot got inside your head." Zoe maintains that the whole issue has nothing to do sex, but Ashley scorns her belief, they've really got her brainwashed. The whole thing is a con, a sick dirty trick, as far as he is concerned. She tells him that this is what she wants to do. Ashley's emotions are getting the better of him. "Already made a start have you, eh? While you've been away on this retreat? Been at it for Nirab, have you?" The argument degenerates, as Ashley confesses he saw her kissing Ben. That is the final straw for Zoe, as she tells him that Ben warned her never to come back, she should have listened to him. She announces that she cannot take any more and she is going to leave - she informs him that they were finished a long time ago, now she is going to move out, she is going where she belongs.

In the Rovers, we see hobbling Les making a dedicated entrance to the pub, with Janice helping him. Mike Baldwin comments to Alec that he thought Les was supposed to be on death's door. Alec puts it down to the miracles of modern medicine, "let's hope they've not surgically removed his drinking mechanism."

Les sits down as Janice goes to the bar to get a drink for her hubby. Alec enquires after Les' welfare, well, the bit to do with drinking anyway. "No pills or owt to stop you supping?" Les announces, to Alec's delight, that tonight, he is out celebrating. "Just celebrating being alive" adds Janice. "Well, we can't have everything, can we" mutters Alec sarcastically.

While waiting for the drinks, Janice gets into conversation with Mike, who offers a mock-sympathetic ear.

In the meantime, Scouse Slagette (aka Jackie) has sidled up to Les. "Nice to have you back, Les, love" she purrs. He goes into overdrive, telling her how he actually died and then had an out-of-body experience.

Deirdre is complaining to Alma how she just cannot get away from Jackie - wherever she turns, Jackie is there, home, work, Rovers, she didn't see this much of her when she was in prison. Alma hopes that Slagette will find a place of her own and move on - this sounds like a dream for Deirdre. (During this exchange, we have a cameo appearance of Michael Crawford - he comes into the Rovers, walks up to the bar in the distance and orders a drink, neatly framed by Deirdre and Alma in the foreground. Do I hear "Betty... can I have a drink?")

Janice is telling Mike about Greg and Sally splitting up and ending the business. This really is good news week for Mike, as his delight gets translated into generosity - Janice's drinks are on him and "a couple of chasers as well"

Les is still weaving his own brand of fiction to an enthralled Slagette. He is talking about this bright light, "it was as if someone had put in the whole of the (Status) Quo's lighting rig in there." Then he heard "someone calling, calling my name. 'Don't go. Not yet, Les.' And do you know something Jackie, I could have sworn it was you." (LOL!! What style!!!)

By this time, Janice has their drinks and breaks up Les' private party. "That, is my seat, lady!! And that's me husband, while you're about it." Janice's demeanour suggests someone who won't stand for any messing. Jackie gets the message loud and clear and scarpers off sharpish.

Natalie has come into the pub. She tells Alec that hasn't come for a drink, she has come back to work. She needed to get a few things sorted out but now she has to get on with her life. She moves behind the bar and gets back to work.

Janice is telling Les that Greg has been knocking Sally Webster around. Les refuses to believe that and suggests that she is probably bad-mouthing because he's dumped her or something. When Janice tells him that Sally and Greg are finished, that's proof positive as far as Les is concerned. Anyway, he'll get to the bottom of this, he's not going to have people saying that a son of his has to knock his women about to keep them in check.

At the Platt's place, Gail is telling Martin how she lost her temper with Les Battersby earlier on. Martin is not pleased, "that's marvellous, that's great, you didn't kick him in his best leg, while you were at it, did you?" He recognises that it is totally counterproductive having a go at Les in the street, like a red rag to a bull. Gail was only trying to defend him and couldn't just stand around doing nothing, while his lying loses Martin his job. Martin decides that the only step left is to talk to Les and storms out of the house to do just that.

It is dark as he crosses the road, but we see Ty and Marcus leaving Curly's house by the front door, a few seconds before Alma and Mike walk past.

Martin knocks on Les' door, to find Nick answering it. Les comes to the door, as Nick beats a hasty retreat, reluctant to get involved. Martin tries to challenge Les, if it's a practical joke then it's not funny. Les' reply is that being dead isn't funny either and he was close to that fate, thanks to him. When Martin tells him that this statement is rubbish, Les' answer is that the judge can decide that and slams the door in Martin's face.

On the other side of the road, Sally is opening the door to Rita's flat. Maxine is walking past and cannot resist an opportunity to crow "I'd heard you changed digs. I always knew Greg wouldn't stay with you, dunno what he saw in you in the first place. Hardly a supermodel, are ya?" Her parting shot is that in future she shouldn't go for other girls' blokes "go for somebody more your own age!" Youch!! Bitchy, bitchy!

At Ashley's place, Nick is just coming through the door, followed a few seconds later by Leanne. We see Ashley, distraught, sitting at the foot of the stairs. Zoe has her bags and announces that she is leaving to live with the Foundation. Ashley tells her to give them the rest of the story, she is gonna have a baby with them. They look on, incredulous. She thanks Ashley for everything in the past and leaves the house. Ben is waiting for her outside. Ashley runs after her imploring her not to leave him. He tells Zoe he loves her, but Ben tells him to let Zoe go, "she doesn't want you anymore." Ashley lunges at Ben but is restrained by Nick as Ben and Zoe get into the car. The car starts and moves off, leaving behind Ashley, distressed by way events have developed.....

.....and with that.... it is the cue for music and credits

Episode written by Phil Ford.

All material is, and remains, copyright property of Granada Television.

Well, how was it for me? A really good episode in my book.

Some great dialogue and amazingly brilliant and bitchy one-liners - well done, scriptwriter, Phil Ford.

Some magic light comedy provided by Fred and Alec - those guys really are stars, wonderful lines, great delivery, impeccable timing and the facial expressions, well, out of this world. Beautiful stuff.

In terms of drama and emotion, superb stuff from Ashley, full of despair at losing Zoe to the cult. For me though, Denise Welch as Natalie Barnes shone again, with an exceptional performance in her interchange with Tony. In her, we really have an amazing actress with real class and ability. Bravo!!!

Anyway that's it for now.. Until the next time, take care...

Tubby greetings and Tinkyluv from the Tinkster in Glorious Glossop....

Regards, Alan


Sunday 13 December

Well, last week's promise to turn up on time this week fell at the first hurdle, or more precisely it keeled over when leaving the starting gates. Once again, my apologies for the late arrival of this service - it's bad enough trailing in after The Rattler's Monday update without being passed by Rosalind's Wednesday epistle. And she writes about 3 times as much as I do.

It's not been a wonderful week, this week. I am looking forward to starting afresh after the weekend. It has been 5 long days of hassle with two cars and a house. Fortunately, most things seem to be back in working order, but the wear and tear on me may take longer to heal. Why does everything break at the same time, and why is this time immediately before Christmas, truly one of the busiest periods ?

So, let's get straight on with the update, which may be even shorter than usual this week. As the signature tune draws to a close, I note we have a new typeface for the program title. Whatever next ? That new-fangled colour stuff, perhaps ?

Act 1
Sally and Rita and Alec are discussing underwear. Fortunately, not each other's, but the boxes and boxes of stock that Sally liberated from Greg's office. Rita notes that she suspects she knows what she'll be getting for Christmas. Apparently, there are several thousand items in all, and Sally doesn't know who she can sell them to. Alec suggests Mike Baldwin. She can't believe he's serious, but Alec reasonably points out that Mike is a business man and won't pass up any opportunity to make a bit of extra money. Sally isn't happy, and thinks there must a better idea.

Martin and Gail are discussing the Les situation. Gail wonders if Les would go so far as to take the matter to court. Martin thinks Les is capable of anything, and resolves to have a word with Janice, as she might be more approachable.

Gary enters the cafe, to find Ashley sitting looking very forlorn. He hasn't had much sleep the night before, worrying about Zoe. Gary and Judy sit down and join him, and he tells them how Zoe had been away for 3 days at a retreat, when he'd had no contact with her at all. Then she'd returned and announced that she'd been chosen to have a baby "for Nirab" and had now left his house and was staying at the Foundation house. He'd had a look through some of her things while she was away, and had found her diaries full of letters to her dead child. Gary thinks it's time Ashley went to the police, to see if they could help. Perhaps some of the Foundation's activities aren't legal ? He offers to go along with Ashley, for support.

Martin contrives to bump into Janice as she is leaving her house to go to work. She tells him she's late already, and he replies that she's lucky to have a job to go to. [Martin's been suspended from work.] He tells her in no uncertain terms that he knows Les is lying, and can she persuade him to tell the truth, perhaps ? Of course, we know before this conversation starts that Martin is doomed to fail, because no matter how stupidly Les behaves, Janice is the sort of woman who will stand by him. She tells Martin that she thinks *he* made the mistake and gave Les too many painkillers, because Les had been getting on his nerves.

The centre of attention is in the Rovers, where he encounters his long-lost son, Greg. Greg asks how Les is. He's obviously not heard about the incident with the painkillers and Les duly fills him in with his version of events. "Martin Platt tried to bump me off !", he concludes. Greg hopes that Les is going to do something about it, something more than just making a complaint to the hospital. Has Les talked to a solicitor ? On hearing that he has not, Greg immediately offers to take charge, and phones his mate Richard. He asks Richard if he knows anyone who deals with negligence. And he hopes that he might make a few bob, in the process. While he is on the phone, Sally enters and walks past him to speak to Mike. She explains about the stock, and offers to sell the underwear to him. Greg tells Les that he has set up a meeting that evening with a solicitor who specialises in compensation claims. Les is surprised how quickly Greg has organised things. He thanks him, and goes on to mention how he has heard people saying that he and Sally have split up, and that he was "knocking her about a bit". Greg doesn't look very chuffed at this.

Down at the police station, Ashley and Gary are in the waiting room, where Ashley seems to be having second thoughts about going through with it all. As they talk about the cult, a female officer behind the desk takes an interest and asks them to come through and tell her more. She takes Zoe's details [in the process of which we learn that Zoe is only just 17], and then reveals that they have had many visits, mostly from worried parents, about other young people being drawn into the Foundation. Apparently, Nirab's followers have been working in the Weatherfield area for about a year, and elsewhere in Britain. She tells Ashley and Gary that the Foundation target young people who lack security for one reason or another. Ashley tells her that Zoe lost a a baby earlier that year. "That would have given them something to really get their teeth into", the inspector notes. The police seem well aware of the various techniques used. Gary says it sounds just like brainwashing to him, and the policewoman admits that that's certainly one way to describe it. He asks what the point of it is. The police think that Nirab himself is just a businessman on a power trip, at least they haven't found any evidence of any other motives. She asks how Zoe had got involved with the cult, and is not surprised to hear Ben and Ruth's names mentioned. Ben is a fairly senior figure in the organisation. Also a bit of a ladies man, apparently. Ashley, increasingly angry, flares up and demands to know why no-one's doing anything about it. Gary calms him down. The inspector tells them that the problem is that the cult are not doing anything actually illegal, and offers to put Ashley in contact with a support group.

Around at Rita's flat, Mike is taking a look at Sally's underwear. [You know I just put it like that on purpose !] He acts unimpressed, but she swears it is quality stuff, all paid for and above board. She tells him she'd paid three-and-a-half thousand for it all, but wants two thousand, fifteen-hundred at the very least. Mike charmingly offers five hundred. Rita enters at this point, just in time to hear him. "How much !!", she exclaims. He won't budge though, and wishes them a Merry Christmas as leaves without a deal. Rita brands him a "Cockney twerp". She thinks the stock is worth more than that, sold door-to-door. This inspires Sally to think of taking a market stall and selling it that way. She's done it before, with Mike in fact. Rita offers Alec's assistance to get the boxes down to the market. "Anything's better than dealing with that shyster !", she concludes.

Intermission
There were some adverts. I didn't watch them.

Act 2
Ashley and Gary have returned to the Rovers. Fred spies Ashley, and has a go at him for leaving Maud alone in the shop for so long. Ashley explains how they've been down to the police station about Zoe. Fred asks if this is because she'd nicked something before she left. This is the final straw for Ashley, who has a real go at Fred and his misconceptions. He ends by telling his uncle that in future he should keep his opinions to himself. He walks across the bar and sits down with Judy and Gary. Gary tells her how they had got on down at the police station. They're all downbeat about the fact that no-one seems capable of stopping the Foundation.

The Street's latest, but by no stretch of the imagination, greatest recruit, Tyrone is found in Curly's house along with his friend Marcus. They are dialling phone sex lines and stuffing themselves with the contents of Curly's kitchen cupboards. [It's a real shame he doesn't appear to have left any paraquat under the sink !] To cap it all, Tyrone has found Curly's piggy bank. [I suspect Curly is one of those people who puts their loose change away every day. He's not that sad as to keep a fortune in a small pottery animal !]

Les thanks Greg for setting up the meeting with the solicitor, who is due to arrive soon. He suggests maybe Greg should have a word with him, himself, about Sally's slander. Greg is spared further shame by the arrival of said solicitor, a somewhat dubious-looking overweight character. Les rubs an imaginary sore shoulder as they shake hands. Before they get properly talking, though, they are interrupted by Fred, who demands to know when Greg will be paying the rent on the flat.

It's knocking-off time at the factory, and as the girls leave, Jackie spots Tyrone on the other side of the street. He nips down one of the side alleys, and she sets off in pursuit, no doubt wondering what he's up to. She catches up with him in Curly's living room, and demands to know "what the hell's going on here ?!".

Sally is round at Kevin's, asking him if he'd mind taking the girls to school as she has to be off early down to the market. He says of course he will take Rosie and Sophie to school, and then invites Sally to stay for her tea. [Sadly, it is not known if they are about to sit down to a plate of baked beans, or fish fingers...]

Jackie wants to know how the two scallies had got into the empty house. Tyrone shows her the keys, which he claims they'd found in the back yard. She's angry about the mess they've made, and slings them out. A thoughtful look appears on her face as she surveys the house...

Leanne offers to go and get a takeaway for her and Nick, but fails to properly attact his attention as he is busy trying to listen in on Les and the solicitor. He tells Leanne they are discussing Martin. Leanne takes sides, and they have an animated discussion about the rights and wrongs. Finally, Nick decides he'll have a chicken korma. [Just to amplify this, that's about the mildest curry going, which suits Nick's rather fey image. And no jokes about rings, please !]

Les and his solicitor discuss their case. As you might guess, Les' imagination starts to run riot as he readily agrees to perhaps having unnoticed after-effects [like pound signs rolling around in his eyes, perhaps] and being examined by another doctor. He rubs his shoulder a lot, too. What a shonk.

Back to the Websters house, where the girls are soon despatched upstairs to play, in order for Sally and Kevin to talk about more adult things. He asks her if it's true that she and Greg have split up, and was it anything to do with Greg hitting her ? Sally doesn't comment directly on that, but does say that she's learnt her lesson.

Nick goes to see Gail at home, and tells her that he's overheard Les talking to a solicitor in the Rovers. Gail is alarmed as she realises that things are getting very serious for Martin.

My final note for this episode tells me that "Ashley is thinking about snatching Zoe back from the Foundation". However, I haven't added any context and can't remember who he was talking to. Oops ! Anyway, that was the end of the show tonight.

This episode was written by Mark Wadlow.

I really have to post this and rush off home, so I'll just quickly add that this was a somewhat better episode tonight, and there's better still to come. In particular, we are about to see some terrific stuff from Steven Arnold, who plays an increasingly distraught Ashley. I think he's really excellent, especially considering he is probably only about 20 - I mean, at that age, how can he summon up such despair ? Ah, but wait, inspiration strikes ! He must be a Man City fan !

And on that slight spoiler, I'll leave you.

Overall rating (out of 5 stars): ***

One more Sunday episode before Christmas !

John Laird


Monday 14 December

Hi :)

Well, folks, it's Update time again and it really seems like far more than a week ago since I did my last one. Aside from suffering from a couple of viruses (computer and healthwise!) it's been mostly a rather fab one too, culminating in great style with the most excellent Xmas Mini-Ping in Manchester on the weekend which, no doubt, RATUCS/Guestbook readers will have already read about from pens far mightier than my own. So rather than retread their steps I'll simply thank *everyone* who was there profusely for making it a night to remember indeedy and leap straight into this week's Monday Update, a marked improvement over the last couple of episodes, too, I should add!

We open in the House Of Elliot where, unfortunately, the loosest plot development this week is well under way. Ashley is planning a 'raid' (!) on the Foundation Headquarters. He intends to kidnap Zoe and bring her back home in order to save her from the evil Nutters of Nirab. Leanne (who is sporting this year's essential fashion accessory in her hair... tinsel!) is worried that this act of vigilance isn't the hottest idea known to man and explains that maybe Ash should just cut his losses and let his girlfriend stay with the loonies since, technically speaking, it is *her* choice. He is adamant however that she's been brainwashed and isn't in control of her own thoughts, thus concludes that Operation Tattersall is GO! Oh yes, Nicky is mincing around in the background and, after tossing his golden locks from side to side for a few minutes, finally offers to accompany his friend on the rescue mission. Ashley doesn't look best pleased at having to drag such a big wet nelly along with him but accepts the offer anyway.

Meanwhile, Sally is having trouble getting to the market to pedal her wares (Quiet at the back!) as the car she wanted to take, Alec's, has visibly not been privy to an MOT test in several years. Even a nearby Kevin can do nowt to fix it but, in an uncharacteristic act of generousity/sympathy, the Manic Mechanic offers to loan Sal the use of his van for the morning. She is understandably grateful.

Over breakfast in the Platt Household, Martin and Gail discuss the buying of a bike for young David's (where's he been for the last 12 months or so anyway?) Christmas present but times look tough now that Florence has been suspended from his job. "There's no reason David should have everything new, you know" says Gail, putting forth the idea of a second hand cycle, "I didn't and neither did you, I'm sure"... She then proceeds to turn the Misery Knob up to eleven and breaks it to her husband that Les has gotten a solicitor and that it looks like he's going to milk the (allegedly) Negligent Nurse for all he's worth. Martin tries to stay positive, adamant that a proper investigation will unearth the truth that is his innocence but then Gail reminds him, albeit as nicely as possible, that leaving the drugs trolley unlocked at the end of a patient's bed probably isn't the Medical Board's favourite definition of "innocence".

At The Drear's Domain, a furious Deidre enters the lounge to find Tyrone Dobbs and his buddy sprawled out on the couch and the floor, respectively, surrounded by half-eaten takeaway chicken tikka and empty beer cans. As she walks around, surveying the damage and voicing in no uncertain terms her distress about the mess, the stench, the stains and the downright cheek of it all, the two boys talk amongst themselves wondering if she "treats all her lodgers like this" (LOL!)... She finally leaves for work in a right state and, just then, Jackie comes out of the bathroom and asks what the lads are planning to get up to today. They ask if they can have the key to Curly's place back (!) but she puts her foot down quite rightly and says that it's out of the question.

In the Hallowed Grounds otherwise known as Roy's Rolls, Martin shows Gail an advert he found in the paper for a cheap bicycle and tells her he's going to see if it's still available. He has obviously come round to her way of thinking but still puts on a happy face, even when she explains that Les wouldn't have his *own* solicitor hired if he didn't have a decent case. Just then Sir Royston of Cropper interrupts (as politely as possible, of course!) to enquire if his business partner has thought anymore about the sale of the cafe, as "time is ticking away" and his dreams of classy cuisine are still abound. She is visibly far too pre- occupied with her husband's medical misfortunes to really care less and just tells Sir R to write his ideas down on paper for her to peruse in her own time... He agrees to do so and leaves the Platts alone again for them to morosely tell each other not to spend a lot of money on Christmas pressies for themselves since the kids happiness at this time of year is more important. Martin admits "It's just beginning to sink in how much we'll miss my overtime" and I wonder exactly how much overtime he must have been getting to plunge a reasonably well-off family like the Platts into this state of financial emergency in less than a week. Then again, I suppose being on call everytime *ANYONE* in Weatherfield is sick must mean a fair bit of extra pay... Ashley wanders into the cafe at this point, dressed in a butcher's overall, delivering pies and sausage rolls from Fred. Turns out that "the delivery lad has a bad belly" (too much of Fred's free steak, per chance?) so Prince Peacock is helping out. Handily enough, Judy Mallet is sitting at one of the tables and wants to have a word with him about this proposed "rescue mission" of his. She's concerned he might hurt himself since these cults sometimes have "guns" or they'll "set fire to the place" rather than let you snatch one of their members (!). He is still adamant, however, to carry out the plans to save his beloved from the clutches of the creepy ones and there's nothing Judeh can say to stop him!

Speaking of the Loonies (Christ, I really hoped this Nirab story had finally reached an end... talk about dragging the joke out for far too long!), we are now treated to a thoroughly *EXCREABLE* exchange of utterly horrible dialogue between Creepy Ben and Zoe in which he tells her (amongst other things that I'm sparing you from) that Shannon is waiting for her at the end of "her journey" and in order to reach this point (get ready to gag) "You must open yourself totally... Not just your mind... Everything!" (Talk about blatant!)... As he reaches to touch her and tells her that she's "ready" I suppose I ought to give the guy some credit for making my stomach churn... Mercifully we cut away as he tells her that tonight she will, errrrr, open herself for Nirab. *shudder*

Ashley and Gary meet up in the Rovers and they talk briefly about the raid. Gareh offers the loan of a van for the event before demanding to come with the young'uns and lend a hand... This is presumably because he realises Nick and Ashley would have great difficulty snatching candy from a baby let alone a 17 year old girl from the clutches of psychopaths....

END OF PART ONE
Some poor adverts, as ever. No less than *two* in one break feature a chap talking frankly about his new nicotine patch but thankfully, in amongst the usual dross, is a rather amusing advert for Meltus (?) cough syrup in which a bloke can't stop choking and knocking bits of the house down as he does it until his wife throws him the medicine. There's an excellent mechanical cat in this advert too, which can never be a bad thing. Unfortunately, there's always one to leave a bad taste in my mouth. An advert for oven chips in which one 6-year-old girl asks her equally young sister "Which do you prefer? Daddy or chips?" and, after much whispering of "Daddy... Chips... Daddy... Chips" and a taste of said potato-based grub, the child finally concludes that she definately prefers chips to daddy!!! Is it just me that finds this to be a horribly cynical little piece of 'marketing'? Probably... I'll get me coat, then. Back to the fun!

PART TWO
More stomach-churningly creepy sleaze from Ben now as he explains to Ruth that he's been telling Zoe about tonight and "the next step". Zoe asks if Ruth will be jealous but She of The Dangerous Eyebrows explains that because it's "Nirab's wish for you and Ben to come together" (!) she doesn't mind at all! The gullible newbie thinks this is all very "beautiful" (!) and falls hook, line and sinker for the nutters. "I want Shannon to have a baby brother or sister and I'm ready now" she chirps and the date for conception is confirmed as later tonight, after their group meeting.

Meanwhile in the Rovers, Deidre is sitting at a table, bemoaning the trauma of the Dobbs family to Ken and Alma when Janice Princess Warrior approaches to add her own resenting statements. It seems that Jackie and her misshapen son are hardly flavour of the month with anyone at the moment and it's decided that Drear will chuck them both out of the flat, as of tonight.

Blandford and Les stand at the bar, discussing the latter's injuries and of course the Bastardly Battersby is milking it to the maximum, claiming he can no longer move his shoulder without it hurting. To demonstrate this, he waves his arm in the air and says (foolishly) "I can't do this anymore, you see!" Greg woefully tells him not to try that in court. Sensing the Bland One's evident despondancy, Les asks what's wrong and it soon transpires that Greg Kelly Enterprises has gotten it's first proper purchase order but, since Sally has reclaimed all the fabric stock *and* revoked Loverboy's cashcard priveleges, he is unable to purchase the raw materials he needs to fulfil the sale. Les would help if only the banks would let him have his compensation money in advance (!) but Greg explains that this simply wouldn't work...

In an amusing little scene, Tyrone enthusiastically accosts Toyah (dressed in her school uniform) as she walks down Coronation Street proving once and for all that girls really *do* mature faster than boys:

Ty: "Heya blue eyes" ;) <--- [You know you're on the 'net too much when you add emoticons to quoted dialogue] Toyah: (Playing it cool) "You talking to me?" Ty: "What'd they teach you today then?" Toyah: "Wouldn't you like to know?" Ty: "I like biology, me. My favourite subject, biology. Hey, I tell you wot, I could 'elp you with your homework if you like!" Toyah: (Tiredly, in a world-weary kinda way) "I bet you could..." Ty: (Missing the sarcasm) "So what time should I come round then???" Toyah: "S'alright. It's history tonight. The Agraian Revolution." Ty: "Eh, what I don't know about that! Cor, I could write you a book about that!" Toyah: (Chirpily, as she enters her front door) "Yeah? Well, when you do, you can lend us a copy, ok? See ya!"

Tyrone looks confused, then utterly gutted as he realised that despite his delusions, the object of his affections has been quite blantantly taking him for a ride. Doh! :) (A great, well-timed exchange of dialogue, incidentally. I like this new kid! He plays a good dummy!) Over the road, at this point Sally and Kevin unload boxes of underwear from the van. She has sold a fa