Coronation Street Weekly Updates

Coronation Street Weekly Updates


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Weekly updates with pictures on the Coronation Street Blog

2009 - OCTOBER 5
 
The big story this week continues to be Fiz and John's marriage. With the eleventh hour arrival of Chesney, Hayley and Roy, Fiz decides that the wedding is definitely back on. The prison warders take a bit of convincing but, as luck would have it (or not, depending on your point of view), the registrar hasn't left the premises, John is retrieved from his cell and everyone assembles in the chapel.

Eschewing the romantic works of Shelley or Byron, John explains that he decided to write his vows himself, choosing words which would mean something to Fiz. "From my heart and with every fibre of my being I love you and I promise I'll always remember to put the toilet seat up." Any sane woman would have come to her senses at that point and made good her escape but, perhaps recognising this could be a problem in view of the fact they're locked inside a prison, Fiz makes the dubious decision to keep going and officially becomes Fiona Stape.

Over at the corner shop, a lovesick Amber pours her heart out to Dev who conveniently fails to mention his part in her latest break up with Darryl. Sadly, Darryl doesn't follow the same course of action when he's doing a shift with his mum in the kebab shop. Telling Teresa to keep it to herself
is like asking a child not to look forward Christmas and when Teresa sees the cheque which Darryl still has in his back pocket, she's beside herself with excitement at the thought of the compo she might be able to wangle out of Dev for the awful wages he pays.

On the subject of excitement, Tyrone can't wait to get stripping for Molly. It's with great relief that we learn there aren't any sequinned nipple tassels involved as this is the sort that involves removing wallpaper. With Kev away on his hols Ty's decided to take advantage of his absence and take some time off to decorate the living room. He agrees with Molly that if he gets finished by Friday he'll be allowed to turn Jack's old room into a games room.

Meanwhile over at Eileen's, Jesse and Julie, aka General Custard and HiaLowa are busy taking some promotional shots for the website. "I feel like I come alive when someone points a camera at me," says Julie. But while Julie's feeling alive, Eileen's feeling jealous and as soon as she's alone with Jesse, she gives him an ultimatum - either he dumps Julie from his act or she'll dump him. Jesse takes Julie for a drink in the Rovers to do the deed but Julie, who seems to have had a major IQ boost recently, works out what's really going on and suggests to Jesse that they pretend to Eileen that she's been sacked but, meanwhile, they'll keep on doing their act together in secret.

While all of this has been going on, speculation is rife at the factory over the fact that Rosie hasn't turned up for work. Luke puts them out of their misery and tells them he's sacked her. "Can you get fired for showing too much cleavage in a built up area?" enquires Sean as Rosie appears through the door. Rosie, of course, is having none of it and, after threatening Luke with a tribunal, is soon back with her box of belonging behind her desk.

Fiz and Chesney arrive back from the wedding but even a surprise party organised by Julie and the girls from work can't lift Fiz's spirits on what, under normal circumstances, should be the happiest day of her life. Things don't seem much better the following morning when she soon realises that things may get even worse once John is let out of prison. There are those who are less than pleased with the idea of him living on the Street, starting with Rosie, and Fiz concludes the only answer will be to move away. She goes to visit John who promises he'll sort something out but she fails to find the time to share her thoughts with Chesney.

Kev and Sally arrive back from their two week holiday in Lanzarote and whilst Sally is keen to get her clothes out of the suitcase and into the wash, Kev's more interested in taking his off and jumping back into bed with Molly. It looks like things are getting serious when Kev presents Molly with a necklace and they declare their love for each other.

While Kev's otherwise engaged, Sally finds out about the wedding which of course sends her into a total rage and straight round to Fiz's to give her a piece of her mind. Fiz is in such a state that she tells Sally that when John gets out they'll be moving which is rather unfortunate for Chesney who happens to be listening from the sofa. "I only went along with that ... what did Sally call it? ... that sick charade of a wedding yesterday for your sake. I hate that man!" he rages to Fiz later. "And then I find out you are going to move us away from this house, away from all me mates! And you weren't even gonna tell me about it." Once again Chesney turns to the Windasses for comfort and when Gary suggests he could always move in with them he needs no second bidding.

Relationships are no better back at the corner shop. Teresa has spilled the beans to Amber about Dev's bribe to Darryl. Amber is furious and wastes no time in telling Dev that he's still the same disgusting control freak that he always was. Darryl fairs no better and, even when he shows her the cheque which he hasn't cashed, it cuts no ice, and both he and Dev are left behind on the cobbles as the girl they love heads off for London on the bus.

Peter and Leanne also look like they might be heading for falling out when Leanne fails to get back in time for Simon's school recorder recital. However, Peter is forced to admit that he was the one who needed her there more than Simon and she promises never to let him down again.

Much of this week's drama is carried out to the accompaniment of Uncle Umed's novelty door bell which he's installed in the corner shop. Reactions range from Kirk dropping to the floor when he hears machine gun fire to Ashley threatening to do something nasty to him with a meat cleaver if he doesn't do something to stop the infernal noise. Sensing his boss has come to the end of his tether, Graeme comes to the rescue in the guise of a window cleaner. Explaining it's his latest venture he offers to clean the shop windows thereby giving him the opportunity to remove the offending bell from the wall and accidentally drop it in his bucket of soapy water. However, some good comes out of this as far as Claire is concerned. The combined frustrations of the door bell and the lack of conjugal rights back at the Peacock house finally make Ashley agree that he'll have a vasectomy.

Still on potentially steamy matters, Kev organises a last minute romantic night away with Molly. Their alibi is a 10k charity run in Glasgow. However, unlike Sophie, Kev fails to look it up on the internet and some quick thinking is required when his daughter asks why they've signed up for a gay fun run. Their plans are almost thwarted by Sally, too, when she announces that she's organising an emergency meeting about John Stape in the Rovers and needs his support. Kev plays the guilt card when he tells her that running is his only chance to escape from the pressures of work so, whilst Kev and Molly head off for a night of passion in Chester, Sally starts drumming up support from the neighbours.

It seems that John's idea of sorting out his and Fiz's problems is to write letters to everyone in the Street asking for their understanding when he gets out of prison which, by the sound of things, is any day now. Reactions are mixed but everyone heads off to the Rovers to hear what Sally has to say on the subject. It looks as though she's winning over quite a bit of support until Fiz stands up and pleads John's case. The voice of a woman in love clearly has an effect on the assembled crowd because by the end she receives a round of applause and we're left wondering whether she and John might just be able to begin their married life on Coronation Street after all.

That's all we have time for this week, folks. Writers for these episodes were Julie Jones, David Lane and Mark Wadlow and the directors were David Kester and Pip Short.

Written by Karen Jankel (standing in for Glenda)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

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